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Culture

Game of Thrones Producers Played This Prank On Sophie Turner And Maisie Williams In Season 1

While some wish Game of Thrones‘ series finale was an elaborate prank, there were actually quite a few hijinks happening behind-the-scenes. A few of them are revealed in Fire Cannot Kill a Dragon, a book that digs into the history of the hit HBO show.

Fire Cannot Kill a Dragon: Game of Thrones and the Official Untold Story of the Epic Series

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$31.28

One such prank occurred at the start of the show’s run in 2009, shortly after filming the very first episode. It targeted Sophie Turner (Sansa Stark) and Maisie Williams (Arya Stark), whose real-life friendship has been long-documented throughout Game of Thrones‘ eight seasons. “Here’s a minor prank we pulled during season 1: We told Maisie and Sophie that since they were underage, they couldn’t come to the pilot wrap party,” showrunner David Benioff told author James Hibberd, via Entertainment Weekly. “So we told them they were going to have a special underage wrap party at McDonald’s. They started crying.”

"game of thrones" season 8 ny premiere

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Turner, age 13 at the time, and Williams, then age 12, did end up attending the official wrap party. However, showrunner Dan Weiss said the pair got emotional for a whole other reason. “Then they came to the real wrap party and cried through that—because they thought they might never see each other again,” Weiss revealed for the book.

Emotions ran high because, at that point, the GoT cast and crew had only filmed one episode of the show and had not been confirmed for a full season. As faithful Westeros followers know, the series would get picked up and become one of the most popular franchises of all time. It also led to the continuation of Williams and Turner’s friendship, although the duo is currently geographically separated from one another.

During a recent interview with ELLE.com, Williams confirmed that she had yet to meet Turner’s daughter Willa with husband Joe Jonas. “No, sadly I haven’t really been traveling much, so I’ve not met the baby!” she explained, adding, “But I have been keeping in touch with the cast. We have a group chat where we all speak, which is really nice.”

Once they can be reunited, the co-stars-turned-besties even have plans to write a movie together.

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Women's Fashion

Chanel Brings Tinsel Town to the Grand Palais

paris, france   october 06 a model walks the runway during the chanel womenswear springsummer 2021 show as part of paris fashion week on october 06, 2020 in paris, france photo by dominique charriauwireimage

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Lights, camera, Chanel. The Hollywood Hills came to Paris’ this morning as Chanel set its name in lights for the house’s spring-summer runway show. Per Virginie Viard: “This collection is a tribute to the muses of the House Gabrielle Chanel and Karl Lagerfeld dressed so many actresses in films and in real life.” But Viard didn’t want to make direct references with vintage cuts or imitations of manicured characters seen on film. Instead she sought to conjure a celebrity’s air.

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To accompany the show, Chanel enlisted Inez van Lamsweerde and Vinoodh Matadin to create a cinematic experience, releasing images and a short film that are inspired by the house’s privileged relationship with actresses, both on and off-screen.

“I was thinking about actresses at the photo call, on the red carpet, that moment when they’re being called to by the photographers: their faces a little distracted, their attitude a little out of sync with the outfits they’re wearing,” Viard explained. The collection taps into the relationship between an actress’s real life and the role she’s playing.

paris, france   october 06 a model walks the runway during the chanel womenswear springsummer 2021 show as part of paris fashion week on october 06, 2020 in paris, france photo by stephane cardinale   corbiscorbis via getty images

Stephane Cardinale – CorbisGetty Images

paris, france   october 06 a model walks the runway during the chanel womenswear springsummer 2021 show as part of paris fashion week on october 06, 2020 in paris, france photo by stephane cardinale   corbiscorbis via getty images

Stephane Cardinale – CorbisGetty Images

paris, france   october 06 a model walks the runway during the chanel womenswear springsummer 2021 show as part of paris fashion week on october 06, 2020 in paris, france photo by stephane cardinale   corbiscorbis via getty images

Stephane Cardinale – CorbisGetty Images

References to the silver screen ranged from subtle (a scarf tucked under a coat a la Grace Kelly) to obvious (a skirt printed with the words “Coco Chanel Presents”). But there was a youthfulness injected throughout, presented as pedal pushers or rising hemlines of flippy skirts and dresses. An aloofness accompanied the fit of ’80s shoulders. Afterparty dresses were suitable for Sunset Boulevard, and throughout there was a healthy dose of saccharinity to the Pretty in Pink outfits that belong to a teen queen protagonist. Molly Ringwald and Regina George alike would look natural in those bubblegum cardigans.

The cheekiness of this seventy-look collection was all in the details. The jewelry in particular took a departure from pearl strands and doubled down on the costume aspect; Flap bags were reinterpreted as massive pendants and curb chains were emblazoned with “forever” atop the brand’s iconic interlocking c’s. I’m not sure how widespread birdcage headbands will be next season, but Emily in Paris has entered the chat.

paris, france   october 06 a model dress detail walks the runway during the chanel womenswear springsummer 2021 show as part of paris fashion week on october 06, 2020 in paris, france photo by stephane cardinale   corbiscorbis via getty images

Stephane Cardinale – CorbisGetty Images

Chanel’s history with Hollywood it-girls is well documented, and if the show’s front row was any indication, will continue forever. Clad in white masks handed out at the event, attendees included Marion Cottillard, Blackpink’s Jennie and Kristen Stewart.

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Women's Fashion

14 Pairs of Leather Pants to Suit Any Style

Courtesy of ImaxTree

Just in case you don’t already have leather pants on your fall shopping list, we’ve compiled an edit of 14 pairs to prove why they belong in your wardrobe. The supple and sleek style goes with just about anything and the abundance of silhouettes available mean you can find a pair that feels right, no matter your style.

From jet black to rich cognac and moody oxblood, there is enough variety in leather pants to wear them everyday of the week. Available in both genuine leather and faux or vegan textiles, styles range from under $100 to investment territory. Take a cue from celebs rocking the trend like Emily Ratajowski and find a pair that speaks to you – whether it’s leggings that fit like a second skin or a high-rise pleated trouser that gives your look a retro vibe. Not buying anything new right new but still want in? Look to your favourite vintage stores for a preloved pair that prove they stand the test of time.

Click through for 14 pairs of leather pants that are street style snap worthy:

For more street style outfit inspiration, check out the best looks from Paris Fashion Week here.

Categories
Fitness

Donald Trump Was Treated With the Steroid Dexamethasone — Here’s How It Treats COVID-19

At a Sunday press conference, the team of doctors treating President Donald Trump for COVID-19 announced that, among other treatments, the president had been prescribed a steroid called dexamethasone. Even as Trump announced his return to the White House on Monday, his doctors confirmed that he would continue to take the steroid, which is used to treat inflammation. According to studies and experts, dexamethasone is a treatment for COVID-19, but there are several key stipulations to know.

Can Dexamethasone Treat COVID-19?

Dexamethasone is an approved treatment method for COVID-19. According to the New York Times, the steroid treats the illness by quieting an immune system overreaction that has killed many coronavirus patients.

However, the National Institutes of Health recommends that the drug be used only for hospitalized patients who are mechanically ventilated or who require supplemental oxygen. A study from Great Britain found it very effective for those groups; studying over 6,000 patients, the doctors found that dexamethasone reduced deaths by one-third in ventilated patients and one-fifth in those needing supplemental oxygen. The same study also noted that dexamethasone may be dangerous for patients with milder cases of COVID-19, noting that they died at a slightly higher rate than similar patients who weren’t given the drug, “although the difference was not statistically significant,” the New York Times wrote.

Because of this, experts have speculated that the president’s condition may be more severe than originally let on. “When I think about people needing dexamethasone, I think about people who are escalating their condition, who are heading closer to ICU level than to home,” said Rochelle Walensky, MD, MPH, chief of the division of infectious disease at Massachusetts General Hospital and a professor at Harvard Medical School, in the NYT article.

It’s also worth noting that dexamethasone is typically only given in later stages of the illness. Earlier on, it is advantageous to let your immune system do its work; it’s only as the illness progresses that your immune response can turn against you, making a drug like dexamethasone helpful. Trump’s team of doctors specified that the drug was administered after his blood oxygen levels dropped twice.

Mental Health Side Effects of Dexamethasone

Dexamethasone has been shown to have many side effects, including some that can affect a patient’s mental health. According to the Mayo Clinic, these include:

  • Aggression
  • Agitation
  • Anxiety
  • Irritability
  • Mental depression
  • Mood changes
  • Nervousness
  • Trouble thinking or speaking

Psychosis and delirium are also reported side effects, and euphoria and mania may also occur in the short term.

POPSUGAR aims to give you the most accurate and up-to-date information about the coronavirus, but details and recommendations about this pandemic may have changed since publication. For the latest information on COVID-19, please check out resources from the WHO, CDC, and local public health departments.

Categories
Culture

Ms. Marvel: Everything We Know About the Disney+ Series

In a landscape dominated by white men and their high-tech toys, a new kind of superhero is debuting in the Marvel Cinematic Universe. Step aside, Tony Stark and Peter Parker: Kamala Khan has entered the chat. Ms. Marvel is the latest Disney+ series to expand upon the franchise and tells the story of Khan, a 16-year-old Pakistani-American Muslim who lives in Jersey City.

Khan made her first appearance in the comics in 2014 and an onscreen adaptation has reportedly long been in the works. (Carol Danvers used her moniker in the ’70s, prior to becoming Captain Marvel, per The Hollywood Reporter). Last year, Marvel Studios president Kevin Feige confirmed the release of Ms. Marvel, which will be written by Bisha K. Ali (Hulu’s Four Weddings and a Funeral). Deadline reported last week that the show has officially found its lead. Here’s what we know about the high-profile project so far.

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Ms. Marvel is inspired by a popular comic series.

This series will center around Khan, a teenager who idolizes the Avengers before obtaining her own shape-shifting powers. The character was created by G. Willow Wilson, drawn by Adrian Alphona, and edited by Sana Amanat and Steve Wacker.

Ms. Marvel Vol. 1

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$32.19

One of Khan’s most distinguishable abilities is her “embiggened fist,” a trait Wilson told Polygon will pose challenges onscreen. “She’s got very comic book-y powers,” he told the outlet. “God bless them trying to bring that to live-action—I don’t know how that’s going to work out in a way that doesn’t look really creepy.”

Tasked with making those powers come to life is showrunner Ali and a team of directors including Adil El Arbi and Bilall Fallah (Bad Boys for Life), Oscar winner Sharmeen Obaid-Chinoy (Saving Face), and Meera Menon (The Magicians, Outlander).

The show has found its star.

Deadline was the first to report that newcomer Iman Vellani will play the titular role after “a long and hard search.” This will be Vellani’s onscreen debut and further casting details have not been announced.

ms marvel iman vellani

Tiff

Several celeb fans have expressed their excitement for the series.

As work on Ms. Marvel gets underway, several A-list fans have voiced their support for the show. Kumail Nanjiani, who will play the first Pakistani superhero for a Marvel movie in The Eternals, tweeted, “I just saw they cast Ms. Marvel and legit got teary eyed. Congratulations Iman Vellani! Your work is going to mean so much to so many people, myself included. I can’t wait.”

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Mindy Kaling, who previously declared she read every Ms. Marvel comic, wrote, “What a joy in these trying times to see that #MsMarvel (a Pakistani American teen superhero!) has cast its lead role, a young actress named Iman Vellani! Congrats to you! I can’t wait to see the show! #RepresentationMatters”

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The MCU’s Hulk, Mark Ruffalo, also extended his congratulations via Twitter. During a 2019 press conference for Captain Marvel, Larson expressed a desire to welcome Ms. Marvel to a potential sequel. “My dream would be that Ms. Marvel gets to come into play in the sequel,” she told reporters, per Inverse. “That’s the goal.” Marvel president Feige confirmed the character would show up in other films during the D23 Expo later that year.

The show will premiere on Disney+ at some point.

Ms. Marvel is one of several superhero shows that will premiere exclusively on Disney+. It joins a lineup of series that will be connected to the Marvel films, including WandaVision, Hawkeye, Loki, and Falcon and the Winter Soldier. It’s also one of several female-fronted superhero projects scheduled for release, in addition to the delayed Black Widow, She-Hulk starring Tatiana Maslany, and Natalie Portman as Thor in Thor: Love and Thunder.

Reports circulated last year that Ms. Marvel would begin filming in spring 2020, although the pandemic has delayed virtually every production. That means a 2022 release date would likely be the earliest we’ll see the new show.

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Beauty

Glossier Has Declared Fig The Flavor Of Fall

Autumn provides the joys of leaves falling, chunky sweaters emerging, and pumpkin spice filtering through the air like oxygen. With all that being said, the season can really do a number on your lips. (Not to mention the stress of a global pandemic and a very important November 3rd.) Just as the world feels like its cracking apart, Glossier is introducing a new hydrating balm so that your lips don’t have to. Meet the Wild Fig Balm Dotcom, the brand’s first ever limited-edition flavor of its fan-favorite lip salve.

Courtesy of Glossier

Wild Fig Balm Dotcom

Glossier
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$12.00

This sheer tinted color is reminiscent of the inside of a fig, hence the fruity moniker. (Wouldn’t you know, figs are actually in season, per the all-knowing Whole Foods.) The hydration-infused formula utilizes a various cruelty-free ingredients to ensure nourishment. There’s castor seed oil to seal in moisture, beeswax to protect against seasonal dryness, Cupuacu Fruit Extract for smooth texture, and Rosemary Leaf Extract for a dose of antioxidants.

Wild Fig joins Glossier’s lineup of other healing hues, including Original, Mint, Rose, Coconut, Cherry, Mango, Berry and Birthday (the Milk Bar-inspired flavor we’re partial to). But just as your grandmother’s sweet jar of fig jam didn’t last forever, this flavor is only avail for a short spell.

glossier balm dotcom lineup

Courtesy of Glossier

Like its predecessors, Wild Fig is $12 and can be purchased as part of a customizable $30 trio. That means investing in one for your gym bag, desk drawer, and bedside table—that is, if you’re permitted to return to the first pair of activities.

To apply, simply slather the balm on your chapped lips to restore their softness. Glossier also encourages you to lift the tube to your nose, allowing the calming power of fig to waft into your soul. At this point in 2020, we’ll try anything.

Wild Fig is available now on glossier.com for $12.

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Women's Fashion

Michael Kors Celebrates the Spirt of Community with Employee-Led Watch Hunger Stop Campaign

Twenty million in 2020 is Michael Kors’s landmark achievement. That’s the number of donated meals Watch Hunger Stop—his brand’s long-running philanthropic initiative in partnership with the United Nations World Food Programme (WFP)—reached this year, ahead of World Food Day on October 16.

Now in its eighth year, Watch Hunger Stop is focused on helping WFP provide school meals to children in food-insecure regions of the world—a land area that has sadly grown during the global coronavirus pandemic. Over the summer, the New York brand released a special-edition Love T-shirt to support WFP’s efforts to provide children with nutrition at home.

Watch Hunger Stop LOVE T-Shirt

michael kors

$40.00

The annual October Watch Hunger Stop campaign has often been fronted by such A-listers as Kate Hudson, Halle Berry, and Lupita Nyong’o. For the 2020 campaign, titled Food Is Love – Share Your Heart, Kors decided to celebrate the power of community by tapping ambassadors a bit closer to home: his own employees.

The Kors staffers—from all levels of the company—are pictured in colorful Instagram grid-ready squares modeling the special-edition Watch Hunger Stop 2020 designs: an organic cotton T-shirt and a denim tote, both adorned with a red heart patch. The company will donate all profits from every Love T-shirt and tote sold to WFP.

“Like just about everything else this year, we approached Watch Hunger Stop in a different way,” says Kors. “We asked our employees to share their faces and their voices in support of WFP and the fight against hunger. The results were inspired and inspiring. I’m really proud of this year’s campaign.”

Community engagement is crucial to ending global hunger, and Kors hopes the campaign will provide social media inspiration. For each selfie, video, or Reels post to a public Instagram account showing the Love T-shirt or tote and the hashtag #WatchHungerStop, or using the custom “Share Your Heart” filter, the brand will make a donation of 50 meals to WFP.

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Women's Fashion

Mindy Kaling is Headlining This Canadian Platform’s Virtual Event for Women in Business

Photo by ANGELA WEISS/AFP via Getty Images

The one-day digital conference is scheduled for November 12.

The Atelier Collective, a Toronto-based organization focused on providing workshops, educational tools and other methods of support for female entrepreneurs, is hosting its second digital conference next month. Titled “The Atelier Digital: Beyond 2020,” the virtual event will feature actress/writer/director Mindy Kaling as its keynote speaker.

Founded by two Canadian female entrepreneurs, The Atelier Collective was launched in 2017 to inspire and encourage ambitious women in business from around the world. Given how unpredictable and challenging this year has been, their upcoming conference will focus on how to keep a business thriving in 2020 and beyond.

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This is the BIGGEST announcement we’ve EVER HAD.⁠ ⁠ Ladies, pop a bottle and pour that glass of champagne ’cause this is going to blow your minds!⁠ ⁠ Our closing keynote to help propel us into a limitless tomorrow is Emmy-nominated writer, producer, New York Times best-selling author, director and actor, Mindy Kaling!⁠ ⁠ Mindy first made her way into our homes and our hearts playing Kelly Kapoor on the hit NBC TV show, “The Office”. At 24, Mindy joined the writing staff as the only woman, where she also starred as a supporting character and stole every single scene she was in! During her eight seasons on The Office, Mindy wrote 26 episodes and became the first woman of colour to be nominated for an Emmy in any writing category!⁠ ⁠ Mindy once again blazed new profound trails in creating the “The Mindy Project,” which she starred in and executive produced from 2012-2017—the first woman of colour to do so. And as an actor, Mindy has also appeared in many films including “The 40-Year Old Virgin,” “Inside Out,” “A Wrinkle in Time” (alongside Oprah Winfrey and Reese Witherspoon), and as a part of the star-studded cast of “Oceans Eight.” ⁠ ⁠ Mindy’s latest release is the critically acclaimed series, “Never Have I Ever” for Netflix, which reached 40 million homes around the world in its first four weeks of release! And it was recently announced that Mindy will write, produce and star in an untitled comedy for Universal opposite Priyanka Chopra and also co-write “Legally Blonde 3”, starring Reese Witherspoon.⁠ ⁠ In 2012, Mindy was named to the Time 100 Most Influential People in the World List. She was honoured with the 2014 Glamour Woman of the Year Award and most recently was a 2019 ELLE Women In Hollywood honoree. ⁠ ⁠ In between all of her ventures, Mindy has released two New York Times best-selling comedic memoirs: “Is Everyone Hanging Out Without Me? (And Other Concerns)” in 2011 and “Why Not Me” in 2015. ⁠ ⁠ Mindy’s humour, confidence and ambition has fuelled her boundless success, all while inspiring women from all over the world, and we cannot contain our excitement in having her as our final keynote of BEYOND 2020! Put the champagne on ice—is it November yet?!

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“2020 has changed everything. It’s changed the way we show up. How we communicate. The way we work. And what it takes to grow,” co-founder Taryn Herritt said in a statement.

Other speakers at this one-day digital conference on November 12 include Glennon Doyle, the New York Times-bestselling author of Untamed; Angela Duckworth, an American academic, psychologist and author; and Sarah Lewis, an associate professor of History of Art & Architecture and African & African American Studies at Harvard University.

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📣 SPEAKER ANNOUNCEMENT 📣⁠ ⁠ So, this is BIG. Our next speaker announcement is from a woman who wrote the book that could very well be considered THE book of the summer. We can hardly contain our excitement at our next speaker announcement for Beyond 2020: the #1 New York Times Bestselling Author and Founder of Together Rising, Glennon Doyle (@glennondoyle)!⁠ ⁠ Glennon Doyle is the author of one of the most popular books of 2020, UNTAMED, which was chosen as Reese’s Book Club selection. She’s also the author of New York Times bestsellers LOVE WARRIOR (an Oprah’s Book Club selection) and CARRY ON, WARRIOR. ⁠✏️⁠ ⁠ An activist and thought leader, Glennon is the founder and president of Together Rising, an all-women led nonprofit organization that has revolutionized grassroots philanthropy – raising over $25 million for women, families, and children in crisis.⁠ 💕⁠ ⁠ In Untamed, Glennon shares, “The braver I am, the luckier I get”; and if we’ve learned anything this year, it’s that we’ve all needed to tap into our courage to push challenges in order to get to that place of luck. To that place where we can thrive.⁠ 🙌⁠ ⁠ We cannot wait for Glennon to share her wisdom and insights with this beautiful community!⁠ 💡⁠ ⁠ STAY TUNED as we have more MASSIVE announcements coming your way, including two more keynote speakers!⁠ ⁠ #theateliercollective #thrivebeyond2020

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The Atelier Digital conference will be split into two tracks: “one for tenacious entrepreneurs who are looking to expand their business in a year of significant change and one for ambitious women in careers who are looking to climb and adapt to the new work environment.” Topics covered over the course of the day will include how to identify growth opportunities during a crisis, how to support BIPOC women and create meaningful change, how to goal-set and strategize in an ever-changing landscape, and more.

The virtual event will run from 9.30am to 5pm EST, reconvening at 7.30pm for the closing keynote speech by Kaling. A digital ticket for the event costs $99, while a VIP ticket (which includes a curated Atelier Experience Box of assorted products from Canadian women-run small businesses plus a bottle of Veuve Clicquot Champagne) costs $199. Get your tickets here.

Categories
Beauty

Fall’s Best Loungewear Sets From Canadian Brands

Shop local and stay cozy!

Remember the days when you used to meticulously plan your outfits, considering things like the weather, where you were going after work, or how your over-the-knee, chunky-sole boots were going to fit into your gym locker? No? Us neither.

The new “normal” when it comes to outfit selection is officially a fine balance of a) something appropriate for meetings with whoever forces you to turn on your camera, and b) whatever is comfortable enough to make you feel slightly better about the state of the world.

The present outcome of that equation is the enduring loungewear set, AKA the matching sweatsuit, another trend that has reemerged from the ’90s and onto the backs of every celebrity from Addison Rae to Megan Thee Stallion. That’s because it expertly combines form and function, particularly when it’s done in an elevated fabric, eye-catching pattern or unexpected colour. Clad in a coordinated set, you can answer the door for an Uber Eats delivery without feeling like a mess, but can also avoid that annoying “Who are you dressed up for?” question when you FaceTime with your mom.

Read this next: Fall Jacket Trends That Make Sense For Right Now

If you need more convincing, look to several of the 2021 spring ready-to-wear collections (a season which was unveiled last month, evidently). Veronica Beard did a pale pink half-zip with matching joggers, Rodarte did a branded set with striped cuffs, and Zero + Maria Cornejo did an elevated, silky sweatsuit. 

And, on top of all of that, whenever we do emerge from the pandemic—and emerge, we will!—you can split up your set and keep rocking it in the outside world. Wear the pants with pumps and go full streetwear glam, and pair that hoodie with a floral midi skirt come transitional spring weather.

Because it’s never been easier—or more important—to support local businesses, we found 12 Canadian brands making matching jogger sets that’ll be a welcome and cozy addition to your WFH rotation. Happy shopping!

Read this next: Jasmine Tookes and Josephine Skriver On How the Fashion Industry Has Changed

Categories
Fitness

I Feel So Much Better Knowing This Yoga Mat Bag Keeps My Mat Germ-Free

Carry Your Om

Since the novel coronavirus pandemic, I’m much more aware of how many surfaces we encounter that can carry germs or viruses. One I never considered before was my yoga mat. Sure, I cleaned the top of it after each use but never thought about what may be lurking on the bottom of the mat.

Think about it — whether you’re using your mat in your living room, garage, or studio, what do you when you’re finished? My guess is you roll it up as I’ve always done. But this simple, seemingly ordinary act can cover your workout with unwanted germs and dirt. When we roll up our mats, whatever lies on the ground under them is then transferred to the top where it waits patiently to move to our hands, face, and body during our next workout. Gross! These days, my yoga mat sees the most action in my garage, and I don’t even want to think about what’s on that floor.

That’s why I was relieved to learn about the Carry Your Om Yoga Mat Bag ($40), which incorporates a full-length mat liner, so the bottom of your mat never touches the top of your mat. The patent-pending design prevents the germs underneath your mat from getting to the top of your mat, while also giving you an easy way to carry and store it.

How does it work? Instead of rolling up your mat when you’re finished and putting it in a bag, you lay the liner on the top of the mat, then roll it up. Zip it closed to keep the mat in place and adjust the strap to carry it however you want. There’s also a zipper pocket on the exterior for a phone, keys, wallet, etc.

Now I can work out on the ground without the ground finding its way on me. Give this mat a try, and you can rest easy knowing the dirt and germs on your floor won’t tarnish all those cleansing breaths you took in your practice.


Carry Your Om Yoga Mat Bag

Categories
Culture

Stormi Webster Baking Halloween Cookies With Kylie Jenner Is the Cutest Thing You’ll See This Week

There’s a lot of crazy stuff happening in the news cycle, but Kylie Jenner did the country a service and released a little wholesome comic relief featuring her very cute and and very polite two-year-old daughter Stormi Webster. In honor of Halloween, Jenner posted a holiday-themed cookie baking video on her YouTube where the two, dressed in matching Snoopy PJs, baked sugar cookies and decorated them.

Stormi was very into mixing the ingredients and pouring a lot of sprinkles on everything. It was messy—she’s two, that’s to be expected—but absolutely adorable, with Stormi starting to clean at one point and speaking to the camera every now and then. She’s truly a star, but that’s in her genes with two celebrity parents:

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“Peace out, camera!” Stormi said when Jenner was about to put the cookies into the oven to cook. At another point, when Jenner told Stormi that she loved baking cookies with her, Stormi replied back, “Oh, that’s cute, Mommy.”

Jenner later asked Stormi what she was going to be for Halloween. “A pumpkin,” Stormi said.

Jenner told the camera,”it changes everyday,” then gently pressed her daughter to reveal her real costume. Stormi finally revealed she is going to be “a Minion.”

“You’re going to be the purple Minion and me and daddy are going to be the yellow Minions,” Jenner said. (Count on those costumes being custom-made: Jenner goes all out for the holiday and usually enlists designers to create costumes for her and her family. Stormi, for example, was dressed up as Jenner at the Met Gala last year.)

The full video is eight minutes long and guaranteed to make you smile, even if it’s just for a little:

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Women's Fashion

Watch Chanel’s Spring-Summer 2021 Show Live From Paris

chanel  runway   paris fashion week  haute couture springsummer 2018

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Chanel debuts its spring-summer 2021 runway show live from the Grand Palais in Paris on Tuesday, October 6 at 10:30 AM CET (4:30AM EST). Catch the fashion house’s ready-to-wear show from home, below:

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Women's Fashion

Moschino Creative Director Jeremy Scott on His Limited Edition, Unisex Collection for Hudson’s Bay

Photography courtesy of Hudson’s Bay.

The eleven-piece collection launches today.

During his seven-year tenure as creative director for Moschino, Jeremy Scott has delighted fashion lovers with his eccentric twists on pop culture references. For a new collab with Hudson’s Bay in honour of the Canadian retailer’s 350th anniversary, Scott gave a selection of Moschino Couture pieces the Point Blanket look, adding the multi-hued striped motif to unisex wardrobe essentials like a moto jacket, waist bag, hoodie and fleece pants.

“I was instantly inspired by the idea of rendering the Moschino biker bag in the iconic wool stripes of the Point Blanket,” says Scott of the ideation phase for the limited edition collection. “I wanted to play with two of Moschino’s most recognizable icons, the biker bag and the logo belt; I also wanted to do a sweat suit and emulate the blanket, but in a brushed fleece for a really cozy set which you will see me wearing all winter long.”

Read on to find out more about the collaboration, how he’s kept his energy flowing during the COVID-19 crisis, and what advice he has for creatives during this uncertain time.

moschino hudson's bay
Photography courtesy of Hudson’s Bay.

Why do you enjoy working with iconic motifs like the Point Blanket stripes? How do they inspire you?

Icons visually communicate instantly– you immediately know their story. My work has always been about communicating through fashion, so icons are especially key tools for me to tell my stories.

How has your creative process changed, if at all, during the pandemic?

I think, if anything, it has only strengthened my creative process. I’ve always been able to work well with limits and push boundaries with my creativity even when I have been faced with obstacles.

What are some things you’ve been doing during the pandemic to keep your energy going, and to care for your mental health?

I’ve started to take up flower arrangement to bring beauty and colour into my home, as I had never spent so much time at home before. It really gave me a new relationship with my own house! I started painting on large leaves in my yard and incorporating them into the arrangements which was something that was very therapeutic for me.

moschino hudson's bay
Photography courtesy of Hudson’s Bay.

What do you hope will change in the fashion industry’s near future given all the conversations about issues like inclusivity, sustainability and more that we’re seeing this year?

I’ve always been a proponent for more voices being included in the conversation–don’t forget, I am the people’s designer after all.

What’s on your studio playlist these days?

Dua Lipa’s remixes!

What’s one piece of advice you’d give to a creative right now?

Follow your heart–it will always lead you to where you are meant to go!

Categories
Life & Love

5 Canadians Whose Statues Are—Or Could Soon Be—Controversial

In August, a statue of Sir John A. Macdonald was toppled in Montreal by activists during a rally to defund the city’s police. According to CBC, the act was explained in leaflets that described Canada’s first Prime Minister as “a white supremacist who orchestrated the genocide of Indigenous peoples with the creation of the brutal residential schools system….”

Macdonald’s statue was not the first to be toppled or vandalized in Canada, and it very likely won’t be the last. Even before conversations about systemic racism became more mainstream this year, statues of historical figures were the topic of controversy. Heated discussion has swirled around the need for honesty about the ugly parts of history, questioning whether monuments are truly educational tools, or simply celebratory symbols.

For many people, tributes to divisive Canadians are a reminder of the pain their communities have experienced, traumas that continue to affect many Black, Indigenous and other racialized people. As Kerry Benjoe from Muscowpetung Saulteaux Nation recently wrote for CBC about a Macdonald statue in Regina: “If we as a society are serious about creating a better future it should include all people. Keeping space for controversial figures, especially those who did not build [Saskatchewan], does nothing in terms of relationship building.”

Because unflattering history is often buried, people can be confused (and sometimes defensive) when a previously celebrated figure’s legacy is called into question. Here, the back stories on five Canadians whose statues are—or could soon be—up for debate.

Edward Cornwallis (1713 – 1776), British governor of Nova Scotia

In 1749, soon after arriving at Mi’kma’ki, the founder of the city of Halifax instituted his notorious “scalping proclamations,” offering bounties for the scalps of murdered Mi’kmaq, an Indigenous people in the area. Cornwallis’ proclamation promised a “reward of Thirty Pounds for every male Indian Prisoner above the Age of Sixteen Years brought in alive or a Scalp.”

As such, his statue in Halifax’s Cornwallis Park has become a point of controversy in recent years. In 2018, activist Rebecca Moore told APTN her point of view. “I want people to know that he committed genocide against our people. He ordered, he wanted us wiped out,” she said. “What kind of a man is that and why do we have a statue of him in the park?”

A City Council task force mandated with figuring out what to do with the statue produced a report stating that Cornwallis had expressed his desire to “root… [the Mi’kmaq] out entirely” from the area. It called the scalping proclamation a cruel policy that allowed racist bounty hunters to profit off of violence against Indigenous people.

In 2018, Cornwallis’ statue was removed from the park and placed in storage.

Read this next: What’s Happening in Nova Scotia Right Now?

Egerton Ryerson (1803 – 1882), Chief Superintendent of Schools, Ontario

This Ontario public education advocate has an entire university named after him—Ryerson University in Toronto, which is where his statue stands. He’s credited with setting the groundwork for free compulsory education in Canada, but as Ontario’s chief superintendent of schools from 1842 to 1876, Ryerson also recommended that Indigenous children be put in boarding schools, away from their families, with religious and English language teaching.

His report was used to implement the residential school system, making him one of its key architects. The schools operated between the 1800s and 1996, and more than 150,000 Indigenous children attended—many were subjected to physical, mental and sexual abuse. In 2015, the Final Report of the Truth and Reconciliation Commission called the practices at the schools acts of “cultural genocide.”

Ryerson’s statue has been vandalized multiple times. Just this past summer, it was covered in pink paint, and decorated with a sign reading “tear down monuments that represent slavery, colonialism and violence.” Ryerson students have also petitioned the university to remove the statue from campus twice, in 2017 and 2020, as part of the student union’s campaign to recognize the university’s colonial ties.

A statue of John A. Macdonald that was toppled by anti-racism activists in Montreal in August. (Photo: Eric Thomas/AFP via Getty Images)

Sir John A. MacDonald (1815 – 1891), Prime Minister

JAM was one of the Fathers of Confederation—who also enacted many racist policies, the implications of which Canada is still grappling with. The vast majority targeted Indigenous people, including the establishment of the residential school system, through which he aimed to assimilate Indigenous children into white Canadian society by forcibly taking them away from their parents, banning them from speaking their mother languages and prohibiting them from practicing their cultural traditions. According to the Globe and Mail, an Indigenous child in a residential school was more likely to die than a Canadian soldier in World War II.

Macdonald and his government also starved Indigenous communities and forced them onto reserves to make way for the Canadian Pacific Railway, denying rations to communities in the area covered by Treaty 6 (now parts of Alberta and Saskatchewan) if they refused to move.

Macdonald’s government welcomed labourers from China to build the CPR across those stolen lands. But as railway construction was finishing up, Canada introduced a hefty duty of $50 (over $2,200 in today’s dollars) for any Chinese immigrant entering the country. The Chinese Head Tax was the first piece of Canadian legislation to exclude immigrants on the basis of ethnic origin. It separated countless families, as male workers were unable to pay for their family’s entrance into the country.

Read this next: Annamie Paul Just Became the First Black Federal Party Leader in Canada

John Deighton (1830 – 1875), early settler and bar owner, Vancouver

Also known as “Gassy Jack,” the founder of Gastown has had a statue in his namesake neighbourhood for over 100 years. Recently, however, Deighton’s past has been revisited with a more critical lens, with his legacy connected to the ongoing struggles of Indigenous women.

According to the 2019 documentary Red Women Rising, Squamish oral tradition recounts that Deighton purchased a 12-year-old girl named Quahail-ya to be his “wife” after her aunt, his first wife, died. She would later run away at age 15. Quahail-ya’s story has been held up as an early example of the violence and disregard Indigenous women still face in Canada.

“This is connected to Gassy Jack because he ran a bar [where his statue now stands] that catered to…the men who violated my women” says the voiceover in the documentary, which was produced by Battered Women’s Support Services in Vancouver. “Gassy Jack himself, married to a First Nations woman, whose name is erased, deleted, forgotten—yet his name is here on land that was never his.”

A petition calling for the Gassy Jack statue to be removed has garnered over 22,000 signatures since June.

Emily Murphy (1886 – 1933), Judge and Writer, Alberta

Murphy is often remembered as a “trailblazer for social justice:” before becoming the first female judge in the British empire, she and four other women dubbed the Famous Five played a pivotal role in the 1929 Persons Case, when white Canadian women were established as legal “persons,” eligible for appointment to the Senate. However, like other members of the Five, Murphy has been criticized for being racist—especially her concerns about immigration and support of eugenics.

Under the pen name “Janey Canuck,” Murphy published the 1922 book The Black Candle, which posited that “aliens of colour” had banded together in Canada to form a conspiracy called “The Ring,” which planned to corrupt the white race with drugs. Her suggested solution was to deport people of colour (in particular, Chinese, Black, Mexican, Greek and Middle Eastern people). Though this didn’t happen, her racist conspiracy led to laws governing narcotics—Canada passed its first anti-cannabis law a year after the publication of The Black Candle, the first western country to do so, 14 years before the United States.

Read this next: Which Federal Party Has the Best Climate Action Plan?

To this day, such laws disproportionately affect Black and Indigenous people, and other people of colour. In the lead-up to the legalization of cannabis, the Toronto Star found that Black people with no criminal convictions were three times more likely to be arrested for possession than white people with similar backgrounds.

Murphy also supported the eugenics movement—most notably the idea that “unfit” members of society shouldn’t procreate. As a judge, Murphy had a huge influence in Alberta and her support of eugenics contributed to the passing of the province’s 1928 Sexual Sterilization Act. The Act organized the nonconsensual sterilization of people who were considered “mentally deficient” and wasn’t repealed until 1972.

A statue of Emily Murphy still stands in Edmonton, and she is also memorialized at the Women are Persons! monument in Ottawa.

Categories
Video

‘Pretty Little Liars’ Break Down Every On-Screen Hookup and Murder | Vanity Fair

Lucy Hale, Shay Mitchell, Troian Bellisario, Ashley Benson, and Sasha Pieterse analyze all of the hook ups and murders from the last seven seasons of ‘Pretty Little Liars.’

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Categories
Fitness

This 3-Minute Blackpink “Ice Cream” Workout Is a Perfect Dance Cardio Warmup

“Ice Cream,” the sweet and poppy summer track from BLACKPINK and Selena Gomez, has already found a permanent place on our workout playlist, so a dance cardio routine to the song sounds right up our alley. As usual, choreographer and dance fitness instructor Mylee Dance has us covered. She choreographed with a quick, fun routine that looks like a great cardio warm-up, with hip rolls to engage your abs, a few squats, and plenty of punches to work your arms. The song isn’t too fast, which means you can keep up with the moves and slowly ramp up your heart rate. It’s a great way to get warm for a longer workout or serve as a full, fast routine on its own. Try the workout for yourself above, and give Mylee’s BTS “Dynamite” workout a spin if you want more!

Categories
Culture

A Scaredy-Cat Recap of Lovecraft Country Episode 8: “Jig-a-Bobo”

Welcome to another week of Scaredy Cat recaps, where I, a habitually terrified person, review what is and is not nightmare fuel on HBO’s horror allegory Lovecraft Country.

Let’s go back, way back, back in time. One of the scariest scenes in all of Black cinematic history comes from the 1978 film version of The Wiz, the all-Black version of The Wizard of Oz. Dorothy (Diana Ross) and company are mid-ease down the Yellow Brick Road when they stop into a subway station, a masterstroke of efficiency. The Land of Oz has a lot of issues to work through in the areas of equality and its caste system but its infrastructure seems to be doing great. They’re approached by a masked subway busker who has two bouncing dolls hanging from a tray. The busker doesn’t speak so all we get is the squeaky sound of the dolls as they bob on the floor. Soon, the dolls start growing until they are taller than the busker. Without warning they start chasing the Oz-bound crew, absolutely terrorizing them in ways that are at once fantastical and weirdly specific to the subway, i.e. at one point two trashcans grow teeth and latch onto Dorothy’s arms. Anyone who watched The Wiz every time it came on TV, at every family reunion, and sometimes after church will remember the sheer nightmare fuel of that scene, which comes out of nowhere and really doesn’t have any corollary in the film. We do not talk about it much because it still haunts us to this day.

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I thought of that scene with dread and anticipation during Lovecraft Country’s eighth episode, as two figures appeared to the Diana of this world (Jada Harris) and prompted old and new nightmares. Episode 8, titled “Jig-a-Bobo,” is straight-up one of the scariest, if not the scariest, episode of the series thus far and it’s also masterpiece with talents firing on all cylinders. Written and directed by showrunner Misha Green, the episode deftly weaves together its mythos with the show’s propensity to hang out in historical footnotes, highlighter just going H.A.M. Visually it’s stunning, with nary a careless frame or moment. And it’s anchored by a truly phenomenal performance by Jada Harris, a newcomer who hasn’t been used much this season but absolutely knocks her episode out of the park. It’s a fantastic, deeply terrifying hour. How terrifying? Let’s get into it!

Spoilers for Lovecraft Country episode 8, “Jig-a-Bobo.”

How scary is Harriet Beecher Stowe?

We open on the crowd of mostly Black mourners waiting to get into the viewing for Emmett Till, who appeared in the seance scene at Leti’s house party and in the world of the show was Diana’s best friend, nicknamed Bobo. Till was brutally lynched after it was alleged that he offended a white woman. His mother, Mamie, insisted that he be mourned with an open casket so that the evidence of white supremacist violence couldn’t be ignored. This decision, and the collective grief and despondence of Black Chicagoans and Black Americans in general, works as a guiding theme for this episode, and perhaps the show as a whole. While I was initially unsure about using such a tragic, well-known event as background for a horror story, it works perfectly here. In this episode, white supremacist violence, grief, and the desire to make visible what many Americans want to look away from all take physical form, and it’s harrowing.

Dee is taking the death of Bobo hard and the adults in her life wonder how long they can go before breaking the news to her that they don’t think Hippolyta (Aunjanue Ellis) is coming back. Before they get into the church, Dee breaks away and wanders the streets of the South Side, where most businesses are shuttered with “Closed for Emmett” signs. Captain Lancaster (Mac Brandt), that absolute scourge, corners Dee in an alley and starts asking questions about the comic book she drew for her mother, which he apparently found at the observatory. He escalates this interrogation very quickly by chanting and drawing some weird symbols on the ground. (BEGONE YE DEMON) Then he puts some of his monster spit on her forehead (OH ABSOLUTELY NOT), cursing her with a haunting that will keep her silent about their conversation. Has Captain Lancaster never heard of a non-disclosure agreement? Dee stumbles out of the alley, followed by the eyes of a Black man in a Cream of Wheat ad, which feels like another allusion to The Wiz, specifically the Tin Man scene at the carnival.

Back at home, she’s in an absolute state. I mean, would you be? Monster spit! Grief! Non-legally-binding agreements! It’s not even noon. Damn. She sees the cover of a copy of Uncle Tom’s Cabin on the shelf but the cover illustration, which normally has on it a smiling Topsy, one of the enslaved character, now shows Topsy fanged and gruesome. Dee hightails it out the window. I would, too. No book club for me this week!

Let’s talk about Topsy for a moment. So, in most depictions, Topsy is the gunny sack-wearing “wild child” with a head full of plaits. Author Harriet Beecher Stowe paints her almost feral nature as an effect of the depravity of slavery. While it could be argued that Stowe’s portrayal is ultimately sympathetic, the character has many of the features that were frequently satirized in minstrel shows: the pigtails, the seeming simple-mindedness, and in the illustration, the wide-mouthed, ruby red grin. While Stowe wanted white readers to feel compelled to empathy by Topsy, the image was so striking and so damning for many that it was easier just to domesticate Topsy in pop culture, making her cute and strange but ultimately a figure that worked in service of white entertainment. Verdict: Terrifying. Spoiler alert: all of this will be terrifying.

lovecraft country michael k williams jonathan majors jada harris

Jada Harris

steve dietlHBO

How scary is an angel flung out of space?

Following the funeral, Ruby (Wunmi Mosaku) goes to Christina’s mansion. As she’s working on unlocking the front door, some white man in a truck starts harassing her about what she’s doing there. Dude, if you don’t go back to the NextDoor app from whence you came. My man is out here guarding property that is in no way his, talking some mess about the Black people leaving the funeral on South Side to come to the North Side and get revenge for Emmett. Yeah, bro, she’s a one-woman riot who has house keys. Let’s think through things here, Pop.

Christina pulls up right in time wearing her Winklevoss drag (Jordan Patrick Smith) and gets Ruby into the house. In a truly astounding sequence, set to a slowed down cover of “I Put A Spell On You,” Winklevoss gives Ruby a bath and then Ruby drinks the body swap potion and changes into Hillary (Jamie Neumann). Hillary and Winklevoss have sex and Ruby orgasms herself right out of Hillary’s skin. CHILD. SHE ORGASMS HERSELF RIGHT OUT OF HER WHITE SKIN. OUT. OF. HER. SKIN.

This relationship is pretty tricky. On one hand, you have two people putting on the drag of other people with more privilege to bang each other. Fine. Into it. Make that an option on Tinder. On the other hand, Christina (Abbey Lee) absolutely lied to Ruby and is maybe trying to kill Tic (Jonathan Majors) and all of this just feels fraught. Like this isn’t just some situation where a couple has to work out their differences on an episode of Dr. Phil called “Untangling the Swirl” or something. They have real issues.

Back in their birth bodies, Ruby and Christina have a tense conversation about Christina seeing Ruby and Ruby’s pain in which Ruby demands that Christina acknowledge some of the complicity of her whiteness. It’s a very tough scene that is shot sumptuously. Dayna Pink’s costume designs and Kalina Ivanov’s production design is giving me EDITORIAL PHOTO SHOOT FOR A PERIOD LESBIAN DRAMA REALNESS. Carol Aird is shaking. The topics, and Christina’s response, may be grotesque, but these are not ugly people, Harge.

lovecraft country abbey lee

Abbey Lee

HBO

HELLO! Who is on the phone? FASHION.

lovecraft country wunmi mosaku

Wunmi Mosaku

HBO

I am SWOONING over this aesthetic. But I am brought back down to Earth by Christina’s response. She basically tells Ruby that she doesn’t care about Emmett Till and she accuses Ruby of wanting to hide from the fact of her own desires, even amidst and perhaps counter to her grief. Even Dr. Phil is like, “I’m not sure this relationship is going to work out.”

Then, later, Christina pays two random men to beat her, shoot her, and throw her in the water in the same way that Emmett Till was murdered. This is bad allyship. Nobody asked her to do this. Anyway, she pops right back out of the water, completely healed, and laugh-crying. Yipes! Verdict: Terrifying. The whole thing—the death play, the conversation, the ferocity of the lewks, and the skin-gasm.

How scary is Biff Tannen from Back to the Future II?

In a conversation with Montrose (Michael K. Williams) about self-preservation and making choices for family, Tic reveals that the observatory portal sent him to the future and he hands Montrose a copy of a book called Lovecraft Country written by Tic’s son. Tic says white folks were rioting in the future but that’s all he saw before Grace Jones shoved him back through the portal. All of this tracks. In a nod to some of the changes that Misha Green made to Matt Ruff’s novel on which the series is based, Tic says that some of the characters were different and that Dee was a boy in the book, but that he believes most of it actually happened, including Christina sacrificing Tic during the autumnal equinox to achieve immortality. Some book! Also, let me find out Lovecraft Country is going to zoom forward to the present. Old lady Leti waving a flag at Obama’s inauguration. Ruby as a suspicious-looking nurse at Walter Reed hospital. Christina as Ivanka. Anything is possible. Verdict: The future? Terrifying.

How scary is a little shuck and jive?

I have not forgotten Dee! I suppose it’s a testament to how well constructed this episode is that every plot line feels fleshed out and important. But Dee! DEE IS GOING THROUGH IT. While waiting on a subway platform (IT’S HAPPENING), minstrel show music begins to play (IT IS OCCURRING) and she looks over to see TWO live Topsies (Kaelynn Harris and Bianca Brewton) doing a herky-jerky soft shoe up the subway stairs. OH ABSOLUTELY NOT. Let me click my heels three times and ease on out of here! I have to say, these two dancers are hitting choreographer Jamaica Craft’s moves; they are so good. But there is nothing scarier than 1) scary twins, 2) creepy dances, 3) being spoken to or approached on the subway.

Nobody else sees the Topsies and Dee flees the platform, only to be pursued by them across the city. Every time they show up it’s scarier than the last. The dancing is extraordinary, as is the camerawork, which captures both the beauty and the menace.

lovecraft country bianca brewton kaelynn gobert harris

Bianca Brewton and Kaelynn Harris

HBO

Dee tracks Captain Lancaster, spying on him from an alley as the Topsies dance closer and closer to her. Dee! Get out of the alley, Dee! Who do you think you are, Batman’s parents?! The Topsies don’t catch her and instead Dee bursts into Captain Lancaster’s lodge and demands to know why he cursed her with these minstrel show nightmare ladies. Dee is not a fan of live theater. Lancaster says he’ll call off the spell if Dee gives him the orrery. Seems convoluted; hiring all this other personnel for a simple smash and grab. Captain Lancaster is basically doing a one-man version of The Producers. But whatever. Dee is not convinced, cursing at Lancaster before storming out of the office while yelling that it stinks in there. I love Dee.

Dee’s story this episode ends on a cliffhanger. She locks herself in Uncle George’s shop and lures the Topsies, attempting to fight them with a pipe. It seems like maybe she’s making progress but then Montrose discovers her and holds her back, which allows the Topsies to finally get her, tearing into her skin as she screams. Verdict: TERRIFYING! I ALREADY TOLD YOU!

How scary is How to Train Your Dragon?

lovecraft country jonathan majors jurnee smollett

Jonathan Majors, Journee Smollett

HBO

The cops try to get into Leti’s house for the orrery but they can’t because of the spell of protection from the witch doctor. So instead they start to shoot the place up. Bullets bounce off of Leti because Christina gave Leti a spell of protection. (Oh yeah, I meant to tell you Christina gave Leti a spell of protection). Tic shows up and a cop shoots at him, but just before the bullet reaches him a monster bursts out of the asphalt because Montrose performed a spell of protection on Tic. (Oh yeah, I meant to tell you Montrose performed a spell of protection on Tic). The monster starts ripping the cops to absolute shreds. We’re talking full carnage: limbs ripped off, thrown police cars, one officer flying through the air into the backyard. Muppet Show stuff. But when the monster approaches Tic, it bows its head and lets Tic pet it. Honey, the folks in that neighborhood are going to be going absolutely wild on the NextDoor app about this! Verdict: TERROR. TERROR ALL IN MY BONES.

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Categories
Beauty

She Knew It Was Breast Cancer. So Why Didn’t Doctors Believe Her?

Six years ago, Jessica Florence’s then boyfriend noticed a lump in her breast. “I could see [it] coming out of my shirt,” she says of the moment she knew she needed to seek medical help. “You know your body; you know when something’s not normal.” From 2015 to 2016, Florence, then 21, visited two doctors. Both told her it was just fibroids. She kept getting the same feedback: “You’re too young to have breast cancer.” It wasn’t until Florence, a Black woman and architecture student from Jacksonville, Florida, got new insurance and finally saw another doctor, who ordered a biopsy and ultrasound, that she was diagnosed with breast cancer. It was Stage IIIA, a more advanced form that indicates it has spread to the lymph nodes.

Research from the American Cancer Society shows that while Black and white women are diagnosed with breast cancer at similar rates, Black women are more likely to be diagnosed both at younger ages and at later stages of the disease. They are also 40 percent more likely to die from breast cancer. “Disparities in cancer outcomes and cancer care have historically been attributed to access,” says Dorraya El-Ashry, PhD, the chief scientific officer at the Breast Cancer Research Foundation. “You can’t get to the doctor, you can’t afford the medicine, you’re working four jobs, you don’t have time, and you can’t pick up your medicine for whatever reason. ” Access, she says, is the term broadly used to refer to the seen and unseen barriers Black breast cancer patients come up against. “Access is not just getting to the doctor and the doctor diagnosing breast cancer correctly,” El-Ashry explains. “It encompasses the entire treatment process and the outcome of breast cancer for [Black] women.”

jessica florence

Florence post-mastectomy in 2017 before starting chemo and radiation.

Courtesy of Jessica Florence

Diving more deeply into this subject is Andrea Silber, MD, an expert in breast cancer among African American women and the assistant clinical director for Health Equity and Diversity at the Yale Cancer Center. “I see [medical] students write things like ‘Well, she didn’t take her meds’ or ‘She no-showed.’ It doesn’t take into account how the patient lives, the struggles she may have,” Silber says. “How can you get to a hospital? Who can afford to drive you? Who can afford to miss work? What happens to your kids? All these things are part of it…but they’re considered irrelevant by most of the medical community.”

Breast cancer is rarely found in someone of Florence’s age, and that likely was a factor in doctors dismissing her symptoms. But systemic medical racism, often manifested in doctors’ unwillingness to hear Black patients’ concerns, is also crushingly pervasive—and can be deadly.

Even when it comes to breast cancer research, Black women are not well represented. Many are reluctant to enroll in clinical trials. Some experts attribute their reticence to fear—a psychological effect of America’s long history of experimenting on and exploiting Black bodies. A 2016 study in Cancer Control posited that low participation in clinical studies could be due to a lack of awareness of current trials, costs to patients, and limited resources at hospitals serving communities of color. Underrepresentation slows down advances in care for Black patients, increasing racial disparities in cancer outcomes and survival. It ultimately means that doctors don’t have a good understanding of how cancer uniquely affects and should be treated in Black patients. The difference is so marked that this year the Basser Center for BRCA at the Abramson Cancer Center of the University of Pennsylvania launched a new initiative to improve awareness and participation of Black patients in breast cancer studies.

Beyond data, conscious and unconscious bias across the medical community is life-threatening to patients, regardless of their socioeconomic status. Florence had the advantages of access to health care and wonderful family support, and the system still failed her. After Serena Williams gave birth to her daughter in 2017, medical staff ignored her concerns about blood clots—and nearly missed the pulmonary embolism she was experiencing.

Bias in care can be seen on a small scale, right in the waiting room. “I look at brochures,” Silber says. “All the women in the pictures are skinny and blonde. What does that say?”

Florence felt this lack of representation firsthand. When she was first diagnosed, she went online to see what a double mastectomy would look like on her dark skin. Her search turned up only minimal results. After surgery, she posted her images so that other women of color could see themselves. “I couldn’t go on Google and see what my skin was going to look like after a Herceptin treatment, so that’s why I posted my pictures,” Florence says. “I hope it helps people get through it a little faster and feel more prepared.” Silber echoes this sentiment, pointing out that while we know chemotherapy causes hair to fall out (because the drugs attack fast-dividing cells), far fewer people are aware that it affects Black women’s nails, often turning them dark, an effect known as melanonychia.

jessica florence

Florence with her mother, Valerie Florence, at Bethesda Park in Jacksonville, Florida, in summer 2020.

Courtesy of Jessica Florence

On a larger scale, the consequences of bias become even more sobering. A 2016 study on racial bias in pain assessment found that the old falsehood that Black patients feel less pain than their white counterparts still exists. In the August issue of the New England Journal of Medicine, Oluwafunmilayo Akinlade, MD, addressed the persistent problem in an article titled “Taking Black Pain Seriously”: “Remember that you can harbor these biases even if you believe that all races are equal,” he warned his fellow caregivers.

Critical to breaking these patterns is speaking directly to Black women and, more importantly, listening, says Silber, who launched an initiative at Yale to provide outreach to the Black community in New Haven, Connecticut. “If you’re doing things that don’t seem like they are being thought about from other people’s perspective, it’s not going to go over well,” she says. “They need to be equal stakeholders.” The four-year-old initiative, called Oncologists Welcome New Haven Into Trial (OWNIT), aims to meet institutional needs for research while prioritizing community needs, such as funding hospitals and programs.

After over a year of misdiagnoses and then ultimately fighting the disease (six rounds of chemotherapy, radiation, and a unilateral mastectomy), Florence finished her treatments in 2017 with an “All clear.” That should have been it: Wrap it up and make way for the queen. But two years later, she suddenly became plagued by headaches, sending her cancer intuition into overdrive. Visits to multiple doctors left her with a sense that no one was taking her seriously. Again. “I’m telling these people I have a headache, I’m vomiting, I’m having a lot of nausea and I have a history of breast cancer,” she says. “Once you hear those symptoms, somebody should automatically put you on an MRI table or get you a CT, a PET scan.” Instead, she heard a wretchedly familiar refrain: “Headaches are normal.” “What’s your diet?” “I don’t think it’s a brain tumor; it’s just stress or lack of sleep.”

florence after breast cancer treatment in 2020

Courtesy of Jessica Florence

Still, she knew her own body. In April, Florence learned that the cancer originally in her breasts had metastasized. After two fruitless visits to the ER, she had gone in again and told the attending physician her symptoms. “He was like, ‘Okay, Miss Florence, I’m going to have to put you on the MRI table, because something’s not right,’ ” she recalls. “Ten minutes later, he was like, ‘We’ve got to do emergency surgery. You have two tumors in your head. Your breast cancer has metastasized.’ ” She now had Stage IV breast cancer that had spread to her brain. At 26, she is facing a second—and more serious—battle with cancer and wondering if she will have to second-guess every minute of care she gets along the way.

In 2020, almost every system and institution is looking at internal racism, but few more urgently require that reflection than the medical community. “It’s not something in the DNA that has caused Black women to do worse with breast cancer,” Silber says. “So much of what has been funded and what people have looked for is very microscopic, very cutting-edge scientific reasons [for the discrepancies in cancer outcomes] that definitely have to do with social determinants of health.” But what it’s not addressing are years of systemic discrimination playing itself out on Black bodies. It’s not, she says, “looking at what’s right in front of our eyes. It’s racism. It’s been that way forever.”

This article appears in the October 2020 issue of ELLE.

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Women's Fashion

Watch Louis Vuitton’s Spring-Summer 2021 Show Live From Paris

louis vuitton  runway   paris fashion week   womenswear spring summer 2020

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Louis Vuitton premieres its spring-summer 2021 runway show live from La Samaritaine on Tuesday, October 6 at 3:00 PM CET (9:00AM EST). Watch this season’s show unfold from your own front row seat, below:

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Women's Fashion

Prada Debuts Re-Nylon Clothing and Footwear at New Pop-Up in Vancouver

Photograph courtesy of Prada

The brand’s expanded sustainability-focused collection also includes genderless clothing styles.

Attention, West Coast fashion lovers– there’s yet another can’t-miss designer pop-up launching on your shores today. Last week, Bottega Veneta unveiled a limited edition pop-up in Holt Renfrew featuring an exclusive colourway of its cult Pouch bag, and today, Prada is launching its Re-Nylon pop-up in the Vancouver department store.

First launched in 2019, Prada Re-Nylon is the brand’s flagship sustainability collection – each piece is crafted out of a regenerated nylon that is created through the recycling and purification of ocean plastics, fishing nets, landfills and textile fibre waste. For every 10,000 tons of regenerated nylon created by the house, 70,000 barrels of petroleum are saved. The collection started by reimagining six of the Italian luxury brand’s key bag silhouettes – and now, the brand is expanding the collection to include ready-to-wear and footwear for the first time.

prada re-nylon vancouver
Photograph courtesy of Prada

The brand is offering full men’s and women’s ready-to-wear collections (interestingly, pieces previously made with the brand’s signature nylon textiles have been reimagined in Re-Nylon for the collection). There’s also a selection of gender fluid pieces in the collection in the form of sports clothing, padded jackets, spots-detailed trousers and shorts, and T-shirts, according to a release. As for the footwear, the brand’s Monolith combat boots and a selection of its low- and high-top sneakers have been given the Re-Nylon treatment for the first time.

Key elements from the brand’s history are woven into the collection to reiterate the idea of circularity – for example, dresses in the womenswear collection pay homage to the iconic 1984 Prada Nylon backpack, and an archival Re-Edition bag style nods to a creation from 2000.

prada re-nylon vancouver
Photograph courtesy of Prada

The black-and-white pop-up will house the full expanded collection of items and the pieces will find their home amongst the installation’s video wallpaper which will play short films by National Geographic, a further nod to the eco-friendly focus of the collection.

The Prada Re-Nylon pop-up launches at Holt Renfrew Vancouver today, October 5, and runs until October 31. The Re-Nylon collection will be available to purchase on Prada.com and at select Prada boutiques across Canada from October 19.

Categories
Fitness

Serena Williams Has Been Criticized For How Her Body Looks, but She’s “Really Thankful” For All It’s Done

Serena Williams is arguably the greatest tennis player of all time, but her ascension to greatness wasn’t easy. Along with her older sister, Venus Williams, the two had to fight for respect on and off the court. They were two Black girls from Compton, CA, and they didn’t look or play anything like their competition. From their iconic hairstyles to uniforms, the Williams sisters stayed true to who they were and played the game their way.

Throughout her distinguished career, Serena has won four Olympic gold medals, 23 grand slams, 73 singles title, and 23 doubles titles. But regardless of the accolades, she’s been scrutinized, ridiculed, and body-shamed for simply being a Black woman. People have said she has “too much muscle,” she’s “built like a man,” and worse.

In a recent interview for the November issue of British Vogue, Williams said her daughter, Olympia, renewed her appreciation for her body. “How amazing that my body has been able to give me the career that I’ve had, and I’m really thankful for it. I only wish I had been thankful for it sooner.”

Hearing those insults over the years couldn’t have been easy to ignore, but we’re glad Williams is able to appreciate everything her body has done and will do instead of fixating on how it looks. Her body has allowed her to give birth, to compete at the highest level, and to set record after record and it should be celebrated for all of those things, not critiqued by the white gaze or subjected to racist, European standards of beauty.

Williams said increased visibility and representation in media has further helped her to appreciate her body. “When I was growing up, what was celebrated was different. . . . I didn’t see people on TV who looked like me, who were thick. There wasn’t positive body image. It was a different age,” she said. Aside from her success as an athlete, by simply showing up as her authentic self and loving the skin she’s in, Williams has and will forever be a role model for Black women and women of color around the world.

Categories
Life & Love

These Couples Voted Differently in 2016. What Will They Do in 2020?

In the lead up to the 2016 election, I interviewed three couples who were going their separate ways in the voting booth. In each scenario, she was voting for Hillary Clinton, and he was not—a microcosm of the divide felt across the nation.

Now in 2020, the presidential election has only taken on more weight, occurring smack dab in the middle of a public health and economic crisis. Naturally, that divide has only deepened. In these past four years, there have been countless articles about how to talk to your relatives about politics at the dinner table and musings about whether those with varying political views can build a long-lasting, modern relationship. It’s all made me wonder: Those duos who voted differently, how are they feeling now?

Below, ELLE.com talked to three (different) couples to find out:

Liz, 26 & Tim, 26

In 2016, Tim voted for third party candidate Gary Johnson and Liz voted for Hillary Clinton. This year, they’re both voting for Joe Biden. They’ve been together since January 2014.

Liz:

“I’m registered as a Democrat, and it was pretty clear who I was going to vote for in 2016. Trump is such a polarizing, misogynistic, racist figure, so whether it was Hillary Clinton or someone else, that wasn’t going to change my mind.

I wrote a text message letter to Tim about why he should vote for Hillary. A huge part of it was that Trump was not the person to lead our country. He had shown that in the way that he was campaigning and the way that he was talking about other candidates. I felt that a vote for a third party candidate would be a vote for Trump. I remember Tim wouldn’t tell me if he was going to vote for Hillary or not because I think he didn’t want to upset me.

I’m really glad he’s voting for Biden because I think that’s the best possible choice in this situation.

There was definitely a little bit of tension back when we would talk about politics because I remember a point where I was like, I’m not going to talk to you about politics because we just don’t agree on certain things. I was upset that I couldn’t persuade him, and I felt like we were in a crucial situation. I was visiting Pittsburgh a lot at that time, driving across Pennsylvania, and it felt pretty clear to me that there was much more Trump support than it seemed like in the media.

But we agree in the fact that we both do not like Trump as president. It makes me happy because I feel like Tim has really listened to my view on certain issues and he’s willing to learn. Even if he decided to support a third party candidate this time, at least he seems more open to hearing my perspective. I’m really glad he’s voting for Biden because I think that’s the best possible choice in this situation.”

Tim:

“I’m a registered Republican, but I ended up voting for Gary Johnson in 2016. As a person I thought he seemed like a good guy; he wasn’t polarizing like the two main party candidates. I wanted to vote for someone I trusted and who I felt good about, and I didn’t feel that with either of those two candidates. However, I did think that Hillary would win and mine would be a throwaway vote. When she didn’t win, I had an initial feeling of dread. I was hoping that Trump would not be the person he was during the campaign, but it didn’t change.

I consider myself socially liberal and fiscally conservative, but I feel like with the current presidency, the social issues make me have a distaste for the Republican Party. During the campaign, the party at large said Trump doesn’t reflect us and we don’t support him. Then he was the Republican candidate, and the party just kowtowed to him. It was spineless how he was backed.

I did think that Hillary would win and mine would be a throwaway vote.

Politically, I don’t think Liz and I are all that different. Since that election, the more we’ve talked, we’ve each given each other a different perspective, and I think that helps. Sometimes Liz will put on left-wing political podcasts, like Pod Save America. Initially, I didn’t agree with what they were saying, but through listening more, I’ve learned and taken things away. I’ve been trying to better understand how Trump’s rhetoric and policies affect people who aren’t like me.

The main thing that’s driving me to vote for Biden is the way these past four years have gone. I never have and never will support Trump, but if things had not gone badly during his presidency, if there was a third party candidate I felt strongly for, I would consider voting for them. But the alternative to Biden not winning would be another four years of Trump, and I don’t want that again.”

Morgan, 38 & Andrew, 39

In 2016, Andrew voted for Donald Trump and Morgan voted for Hillary Clinton. This year, he’s deciding whether he’ll support Trump again or choose not to vote, while she’s voting for Biden. They’ve been together since January 2003.

Morgan:

I’ve never been a straight party-line voter. I have strong beliefs on both sides of the aisle, and I go into almost all elections with the mindset of learning everything I can. For the 2016 election, I paid close attention to both parties’ nominations and thought there were better options from the Republican crowd. I’m not going to say all of my feelings on our current president, but I felt that he lacked the grace and respect for the office.

Have Andrew and I talked about politics more because of the Trump administration? Absolutely. I think it’s access to the information and the fact that both parties are extremely polarizing. I am a firm believer that there’s quite a divide in the country right now and the Democrats are just as guilty as the Republicans are.

For the first time in my life, I would rather Andrew not vote than vote for Trump.

There are definitely issues we can agree on, but certain topics can get extremely heated. I’m a feminist, and when it comes to women’s issues, I can be pretty close-minded to the other side. I’m passionate about a lot of social issues, and I’m really only going to bring up a topic if I have strong feelings about it. We try to be as peaceful as possible though. I think it’s important to try to hear the other person and understand where they’re coming from. We both can respect why somebody has a different view than us.

When it comes to Trump, I’ll say to Andrew, ‘Oh my gosh, did you see what he said today?’ He has the ability to say, ‘It’s not necessarily about that ridiculous thing he said, it’s about the big picture and what actually happens.’

Right now, I identify more with Biden. For the first time in my life, I would rather Andrew not vote than vote for Trump. I would rather there be just one less vote for Trump.”

Andrew:

I’m a straight party voter, so my decision is, ‘Do I vote for the Republican candidate, or do I not vote?’ The primaries are a lot more complicated for me.

I contemplated not voting in 2016, but at the end of the day, I made the decision to vote for the Republican Party. You want as many folks on your side, in Congress and in the executive branch, as you can get. That’s how politics works now. There’s not as much working across the aisle. You just want numbers.

We don’t talk about politics very much as a couple because it tends to not be a productive conversation. Morgan gets very emotional about it and directs a lot of anger from things she sees in the media toward me. We tend not to have balanced, calm discussions about this stuff, and if you can’t, then it’s not worth talking about.

My view is this thing is game over.

This year, my thought process is similar to 2016. There’s a possibility I don’t vote. We’ll see how the next month shakes out. I didn’t make a decision in 2016 until maybe a day or two before the election. I’ll probably do the same thing this year. But if I had to vote today, I’d vote for Trump. My view is this thing is game over. Everybody thought that in 2016 as well, but I’m fully expecting a Biden presidency. I think Trump’s done some damage with voters, and I don’t really see a path for him.

It doesn’t bother me how Morgan votes this year. I don’t really spend a lot of time thinking about it. I fully support people that want to go in a different direction. It doesn’t affect me or our relationship.”

Maria, 25 & Joe, 26

Joe did not cast a vote in the 2016 presidential election, and Maria voted for Hillary Clinton. This time around, they’ll both be voting for Biden. Maria and Joe have been together since July 2017.

Maria:

“For me, it wasn’t really a question of who to vote for. I don’t want to say I’m a one-issue voter, but when it comes to women’s rights and women having the rights over their own bodies, that’s pretty important to me. Especially when the video came out with Trump saying, ‘Grab them by the pussy,’ it was clear this is a person who doesn’t care about the other gender or other people in general. I was also voting in Pennsylvania and knew that it was important for me to vote because it’s a swing state.

I was pretty mad at Joe for not voting.

We talk about politics a lot, and I was pretty mad at Joe for not voting. I do think it’s hard for young people because we move around a lot. You have to constantly register in a new state and figure out, ‘Am I going to be here longterm or should my parent’s home be where my permanent address is?’ Then ask to request an absentee ballot. I understand why a lot of people in their early twenties don’t vote because it’s so difficult to figure out the whole process.

For this election, I strongly supported Bernie [Sanders]. Right now, a lot of our systems are not working for the people. I really thought we needed someone who is progressive, who wants to change things. I think that a lot of voters in 2016 elected Trump because they wanted change, so maybe if we had someone who would do a very different type of change, that would get a lot of people motivated. But I’ll settle for Biden.”

Joe:

“I think I didn’t vote because I assumed it was fine. I wasn’t really too savvy on the residency laws, and I had just graduated. I’m from New Jersey, but then I lived in New York. I wasn’t sure where I technically lived or how to register for the right place, plus New Jersey and New York are usually pretty blue. I figured, Oh, this is going to be a landslide. I don’t even need to vote. It’s not really going to matter for me.

After Trump won, I thought, probably should have done my civic duty and voted. I didn’t anticipate what was going to transpire in the administration to come, and I would have voted for Hillary.

I figured, Oh, this is going to be a landslide.

I kind of always felt like Biden was probably the strongest to do well in the election, the safe pick. I have to request my absentee ballot for this year. Again, where I’ll be voting is pretty blue. When you’re in a state that’s overwhelmingly one direction, you don’t really care as much. There’s less of a sense of urgency. But I want to get my vote on the record. Everyone’s trying to get out the vote, and I don’t want to be a hypocrite.

As a couple, we talk about politics a lot just because it’s more relevant. During the Obama administration, there wasn’t a new political saga every day. Now, you’re just trying to keep track.”

These interviews have been condensed and edited for clarity. Some names have been changed at the request of the participants.


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Categories
Culture

La’Mariette’s Theresa Mingus and Morgan Brutocao on That Selena Gomez Post & Creating Truly Fit-All Swimwear

On September 24, Selena Gomez posted an Instagram of herself posing in a light blue La’Mariette one-piece, showing off her kidney transplant scar. It was a breakthrough in her journey toward embracing her body and feeling “confident in who I am and what I went through.” For Theresa Mingus, 31, and Morgan Brutocao, 29, the women behind the swimwear brand, it was a major breakout moment.

Over 13 million people liked Gomez’s Instagram and were introduced to La’Mariette, a brand whose “message is just that…all bodies are beautiful,” as Gomez captioned her post. Gomez congratulated her friend Mingus, or “T,” on launching the line.

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La’Mariette started as swimwear brand Krahs in 2019. Mingus, who worked as Gomez’s executive assistant from 2014 to 2018, partnered with Brutocao to create the line, but in the months after its launch, Krahs wasn’t what they wanted it to be. And in the midst of the coronavirus pandemic, they completely changed how they did business.

“We launched a bikini brand and we weren’t really happy with it,” Mingus tells ELLE.com. “It wasn’t me, it wasn’t my dream bikini brand. We were working overseas. It was really difficult to get samples on time. Nothing ever seemed to feel right about it. We were like, we need to rebrand. We need to change the name. We need to elevate. We need to be in L.A. We need to be super hands-on. I want the sizes to be like, if I’m doing a double X, I want it to be a double X.”

La’Mariette is an L.A.-based and -made swimwear brand with clear goals: every size fits perfectly, and customers shopping online can see how a suit would look on their body, not just a sample-size model’s. “We wanted good quality, and we wanted the fit-me-perfect, and we wanted women to feel sexy,” Mingus says.

Mingus and Brutocao talk to ELLE.com about the process of creating La’Mariette’s first collection, how a trip Mingus took to Newport Beach with Gomez inspired the line’s first drop, and the story behind that Gomez Instagram photo. Mingus, after all, took the picture.

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Can you tell me about the sizing process you created?

Theresa: Because we go up to XX, all the patterns are fit for that size.

Morgan: It’s letting every girl have their opportunity to wear something [that] looks good on them and not just on the sample size. We have to let them to play. When we were doing production last year overseas, we never had the chance to see a model trying it on because it was literally on the other side of the world.

Theresa: [Designing in Los Angeles is] our first time being able to work with a fit model and do the samples a few times, have the fit model safety-pin certain areas, and get really technical with each style. And we were able to do that and accomplish that this time. Our office is in the warehouse now. Our suits are being made right in front of us. I can walk in the back and see her cutting the bathing suit bottoms. It’s so cool.



You have models of all sizes wearing the swimsuits on your site. What was that shoot like?

Morgan: That’s a perfect example of how COVID affected us. People can’t do those shoots right now. They’re not doing these cool location shoots. We’re lucky enough to have a studio inside of our warehouse, so let’s get really hands-on and do everything very organically.

We let the girls come in and it was very laidback in a sense where we didn’t really tell each girl what to do. We just said, whatever your personality is, work it. If you want to put your hands on your hips, if you want to be more still in the photo, just whatever you’re comfortable with, shine through, because that’s going to translate onto our website.

Theresa: We wanted super real. No Photoshop. Nothing.

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Tell me about the inspiration for your first drop, The Day Trip. I think it was from when Theresa went to Newport with Selena, right?

Theresa: We [Selena and I] were vintage shopping and we found all these cool suits. She was like, “You need to do a suit like this or a pattern like this.” And then we had a really good day on a boat. It was super fun, but that had always been at the back of my mind. I didn’t want to do it [then]; the timing wasn’t right. I knew it would just be so good if we did it the right way.

Morgan: And that’s how we chose these colors for this launch, once we knew that was the pattern. And we added from there: This light blue color works into the color scheme, all that.

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What was it like seeing Selena’s post go up on Instagram and seeing your friend feel so empowered wearing your design?

Theresa: Oh, it felt so good. It’s funny because I actually took the picture. She knew exactly what she wanted to do. And that was the first picture that I took of her. I took 10, and that was the very first one. She was like, “that’s it.”

She was like, “I want to talk about my scar. I want it to be natural. I want it to be organic.” And that was the suit she wanted to wear. We were on set for her all day, and then she whispered to me, “Hey, I think after this, we should go home and do a little photo shoot.” And I was like, “okay, fine with me.” She’s just so supportive.

Morgan: And obviously she knows she had the huge platform, and she’s going to try to support her friends in any way that can. The feedback we received from women and our DMs—not so much the comments, it’s really hard to keep up with all the comments—but we’ll specifically get girls from all over the world DM us a selfie or something, [with] this paragraph and this story about how, “Oh my gosh, I saw this photo Selena posted and you know, I actually have had this happen to me” or “I was in a car accident and had a huge scar on my eye. I’m so empowered by this. And I feel like a woman and this messaging is awesome. Thank you.” It’s really cool to see these girls coming together in that way. It’s really supportive to me and Theresa and keeps us loving what we’re doing. Guys will be DMing us and say, thank you for doing this for women.

This swimsuit is called the Selena. Did she play any role in designing it?

Theresa: From our old brand, it was her idea to launch a collab with me initially when I started. And at first I was like, “No, I don’t want to do that,” but then I was like, “Oh wait, yes, I do, that would be really stupid. You obviously are trying to help me right now.” And so she actually designed the one piece from the first collection. But it fit kind of weird, and so we wanted to continue to have that style, but we really nailed it in with the fit model. I made a lot of fit changes to it. And that’s ultimately too why she wanted to take a picture of that to say, “I had a part in this suit, too.”

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What has it been like working during COVID?

Theresa: Argh, complete torture. But also that really set our minds to like, all right, we need to make this change. We need to be more sustainable. [Our first brand’s production] started in China, so we couldn’t even get our samples. Everything was completely held up so we were like, let’s bite the bullet and make this change. And luckily we got to go into the office because no one’s there. It’s just us. And we got to just figure it out. But it’s hard.

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What’s next for the brand?

Morgan: We’re not just going to do swimwear. It’s going to be more than that. We don’t really know where we’re going yet, but that’s the fun part. We’re predicting that this brand is going to be recognized, known, and popular for our unique, cool, stand-up patterns that can look literally good on anyone.

How has working on this brand and making a swimsuit line that’s so size-inclusive changed the way you see yourself?

Theresa: It’s hard because even for me and Morgan both, it’s a struggle. We’re women; we fluctuate in weight all the time. When I launched the first brand, I was probably 15 pounds smaller and now I’m not. And it is what it is, but obviously it’s hard being a woman. I just accept that I fluctuate, and it is what it is, and I am who I am, and that’s why I wanted to do bathing suits for everyone. Because we can relate.

Morgan: I was a different person before I met Theresa. She made me start feeling myself and not be so harsh on myself. It’s been therapeutic for me in a way as well, just working on the brand. Like you start to see yourself differently in a better light because that’s what we’re trying to do for others, too.

You can shop for La’Mariette swimsuits here. The brand has an open-for-all ambassador program you can learn more about here.

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Categories
Beauty

Precious Lee Was Born to Be Glam

Becoming a supermodel requires great genes. That’s as true for Precious Lee as it was for all the runway stars that came before her. But her mom and dad didn’t just pass down great cheekbones, they gave her attitude—the sort of swagger that separates a pretty face from a superstar. Take her mom: a woman who committed to the glam, full force. Lee was eight when she first saw mom without makeup and she cherishes memories of the blowout Emmy parties that were treated like the actual ceremony. “She’d put a whole, full, extra face, as if she’s on the red carpet,” she explains over Zoom. “And we’d all watch the Emmys and have hors d’oeuvres.” Her father owned hair salons in Atlanta and frequently put Lee in the chair for daring cuts and colors. His guidance helped Precious win Best Hair (or maybe Most Likely to Change Their Hairstyles, Lee can’t remember the exact title) in high school.

With beauty in her DNA, Lee approached the industry with a firm set of ideals: representation matters, and we must strive to see every type of Blackness exemplified in our runways, beauty campaigns, and everything in between.

For her latest campaign, Lee serves as the face for Makeup Forever’s new Rouge Artist collection, a 60-piece offering of long-lasting satin lipsticks. The campaign follows her first cover, her Skims campaign, and the laundry list of runways she’s walked this fashion week. Lee chatted with us about what she’s been doing in quarantine (wearing red lipstick for fun!), the Atlanta beauty scene, and why it’s important for little girls to see her image in Sephora as they craft their own.

What have you been up to in quarantine? Has your routine changed at all?

I’m indulging in the solitude of just being able to chill and not necessarily get so done up. I’ve got to the point where I would actually want to do a look and it was so fun. I’ve had fun playing in my makeup and just trying new things.

ROUGE ARTIST

makeupforever.com

$23.00

And with the whole mask situation now, it’s even more important to put your lip on at home. I feel like I’ve always used my lip, a power lip, a red lip or some bold color, to help give me a boost in whatever I was doing. And so that doesn’t stop now.

Your red lip is undefeated. What are your tricks for the ultimate red lip?

Liner is so important because it brings the definition. The art of the Makeup Forever Rouge Artist lip is the way you can hold the actual brush. It gives you the ability to go in and use it as a liner as well, which I love.

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I start my lip on the outside and then I just fill in from there. My top lip is a little darker than my bottom lip, so sometimes I’ll put a little bit of concealer on before, just to even it out. The Rouge Artist lipstick is so high pigmented and I love that, because I do not like reapplying all day, every day. And it’s just so much better to be able to get so much pigmentation in a couple of swipes.

You’re from Atlanta, which has one of the best beauty scenes in the world. What tips did you learn from your hometown?

My favorite Atlanta makeup girl is my mom. She is so fabulous and she will not go anywhere without her makeup. And even if she goes out with sunglasses on, she has to have a lip. Lipstick is something that always completed the look, the vibe. She would be like, “You’re going outside the door without any lipstick on?” That’s how I grew up, with my mom like that.

She likes to do her makeup and then get in the shower, and then let it sit in which gives it more of a natural look. But that’s an expert trick, because when I first tried it, I messed up my whole face, because the water made it melt off.

OMG. How does she do it?

She says she puts the water on low pressure. I was like, “Mom, that is the most!” It works because it just looks so much more soulful. But I also love the fact that she also uses lipstick for blush. That’s a good trick.

I also feel like when you use lipstick everyday, that it doesn’t become like, ‘Oh, it needs to be this moment for me to put on lipstick.’ Why do you have to wait for moments that are so extra special to have a bomb lip? So that is something that I learned from her, if you want to wear a red lip to go to the bodega, girl, wear a red lip to go to the bodega.

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You’re a runway star right now, but are you planning on moving more into the beauty space?

I’ve always been [a beauty person]. I remember my friends and stuff always ask me to do their makeup for things that we would do if we were going out, or just questions about makeup or skin, because I get a lot of compliments on my skin. And to be honest, a lot of it—I’m very fortunate—is hereditary. My parents have really great skin, but I do take care of my skin. I’ve always been into skincare. My mom, literally, I didn’t see her without makeup on until I was like, eight. She’s really a glamor girl and I grew up in that household.

My father owns hair salons, so I grew up in a glamorous at-home situation. And it didn’t have to be an occasion for us to dress up. That is something that’s always been a part of me.

Did you grow up going to your dad’s hair salon?

Oh my gosh, I love being there. I wanted to work there so bad! When I was little, I would be in the front and just wanting to just be in that energy. I love my dad so much and he’s so talented, and it’s just fun to be able to get your hair done any time you wanted to.

One of the funniest things was, I convinced one of the stylists that my Dad said that I could get my hair cut. I said, “I wanted my hair like this.” And she was like, “What? No, you can’t get your hair like that.” I was like, “Why?” She was like, “Did you talk to your dad?” And I’m like, “It’s totally cool.” I was like, “He’s going to love it.” I told him, “Everybody said they loved it.” And technically they did. [Laughs]

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The stylist cut my hair and it was blonde. I asked for it to be blonde. I bleached it blonde and it was a pixie. My dad was like, “Okay, fine, it’s cute but you need to tone that color down.” He’s so about cut and color. I changed my hair literally every day. In high school, I got voted best hair or most likely to change hairstyles. I do that as a model as well. It’s harder to convince people to do it as a model, but I still have to.

You’ve made strides in bringing more representation to the fashion world. Why do you think representation is also important in beauty?

It’s so important! That’s why I feel like it’s so great for Make Up For Ever to take the initiative of putting a group of people together that are talented, but from different sectors, and feeling how important it is to stand up in your own power and having the ability to own your own energy and to know that that is why you require self-love. You deserve it. It’s not something that is optional. It’s not something you learn, necessarily. It’s literally just remembering, feeling it, because it’s there. Especially in these times, to always have inclusivity at the forefront. And for me, beauty as a little girl, like I said, I grew up in makeup and hair. And my mom, she’s fair-skinned, so she’s lighter than me. But I would always look at all of it, like makeup that she would use and the colors and knowing how important it is that people know about our skin colors and that there are variations. And that I’m brown, but I have a gold undertone, and there are people that are brown with red undertones. And it’s just important to highlight that, for a beauty brand especially.

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There are different variations of our beauty. And, as a Black woman, it’s important for other Black women and young girls to see that represented in makeup. Fashion and beauty go hand-in-hand, so when you’re a girl and you’re just getting into your own, and you’re figuring out your look or whatever, or you’re changing your style, that vision and that image that you see tied to makeup is important as well.

You don’t have to be sample size to wear lipstick. You don’t have to be sample size to wear blush. You know what I mean? It’s not about that. And for me, that is all the more reason why beauty is such a great place to explore and expand inclusivity.

When do you feel your most beautiful?

When I’m laughing. Literally, I love to laugh. If something’s funny, I love to laugh. And I think I’ve picked up, I love seeing other people laugh, because everybody thinks I’m funny. And it’s weird because it’s very unintentionally funny, but apparently I tell jokes. And just seeing people in pure joy, that vibration of laughter is just so beautiful. Everyone has a beautiful laughing smile. I don’t care what they say.

You were just in a Skims campaign. You’re in the Make Up For Ever campaign. It feels like you’re taking over the world! What’s next for you?

Oh my goodness. Well, I did Marc Jacobs. I did Miu Miu. I’ve been really doing a lot of amazing things. I’m just really grateful to be able to bring more joy and to show people how to love themselves better with whatever it is that I’m doing. That’s why it’s important for me to do things that are going to touch people, things that are going to give people more space to be themselves.

I’m an actress. I have some amazing things coming up. I’m also a writer. I created my first capsule collection with Fleur du Mal, a size-inclusive lingerie collection. Everything that I’m doing and that I want to do is to set a precedent for women that have been marginalized—being Black, being big, being from a different place than most people. It’s just so important for me to continue to do the work and the jobs and the campaigns and the shows that, the next time a little girl goes into Sephora and she looks up, or wherever she goes, into a store, she’ll be able to see a different variation of beauty and see somebody that she can identify with.

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Because if we start there, honestly, how much better would it be? If a kid at five years old is used to seeing different shades of Black, in different variations of sizes, then it won’t be so foreign and it won’t be so hard to make them understand that they deserve to love themselves when they get older. And I think that I’m going to continue to focus on projects that help that.

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