Month: September 2020

American Crime Story, the Emmy-winning FX series that gave audiences a closer look into the trial of O.J. Simpson and the assassination of Gianni Versace, will be tackling a new, eerily-relevant topic in its third season: the impeachment of President Bill Clinton.

The season, appropriately titled Impeachment: American Crime Story, will explore the case against Clinton, which infamously involved his sexual relationship with White House intern Monica Lewinsky. Clive Owen will play the role of Clinton, while Beanie Feldstein will take on Monica Lewinsky. The season, originally set to begin filming in March before the pandemic hit, will now begin filming on October 13, per Deadline.

John Landgraf, chairman of FX Networks and FX Productions, said when the season was announced in August 2019, “Impeachment: American Crime Story will…explore the overlooked dimensions of the women who found themselves caught up in the scandal and political war that cast a long shadow over the Clinton Presidency.”

Here, all we know about season 3 so far.

When will it be released?

American Crime Story season 3 was originally slated to premiere September 27, 2020 at 10 P.M. EST, less than two months before the 2020 presidential election. But in January, FX announced the premiere date was changed to accommodate a shifting production schedule. At the Television Critics Association press tour on January 9, Landgraf said, according to Deadline, “We won’t make it by September. We can’t start [production] until March 21 of this year and we won’t physically be done until October. So it’s a long production.” Landgraf attributed delays to creator and executive producer Ryan Murphy, who is currently working on Prom for Netflix.

However, those plans were scrapped once more when the pandemic hit and filming could no longer take place. Production will now begin in October, the very month it was originally meant to conclude. It’s unclear at this point when the season will air—but a 2021 date seems likely.

Who’s involved?

Beanie Feldstein (Lady Bird, Booksmart) will play Monica Lewinsky.

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ACS alum Sarah Paulson will play Linda Tripp, the woman who secretly taped Lewinsky confessing to the affair.

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Annaleigh Ashford (Masters of Sex, Bad Education) is set to play Paula Jones, the woman who accused Clinton of sexual harassment and sued him in 1994.

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Clive Owen (Closer, Gosford Park) will play Bill Clinton.

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Billy Eichner (The Lion King, Difficult People) will play conservative blogger Matt Drudge, who first reported the existence of a Newsweek story about Clinton and Lewinsky’s affair.

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Betty Gilipin (GLOW, Isn’t It Romantic) has been cast as conservative political commentator Ann Coulter.

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Does Monica Lewinsky approve of the project?

Feldstein, who plays Lewinsky, will be a producer on the show, along with the real-life figure herself. The show will be written by playwright Sarah Burgess, who will also be an executive producer, alongside Ryan Murphy, Paulson, and others. In early September, Michael Uppendhal (Fargo, Mad Men) stepped in to helm and executive produce the series after previous director Richard Shephard exited due to the filming delay, per Deadline.

In the past, Murphy said he would only feel comfortable working on a season about the Clinton impeachment if Lewinsky, who has become an anti-bullying activist after receiving intense scrutiny and press, was involved. He once told The Hollywood Reporter, “I told [Monica Lewinsky], ‘Nobody should tell your story but you, and it’s kind of gross if they do. If you want to produce it with me, I would love that; but you should be the producer and you should make all the goddamn money.'”

Lewinsky recently gave Vanity Fair an exclusive statement about how she came to work on the project. She wrote:

I was hesitant, and truthfully more than a little scared to sign on. But after a lengthy dinner meeting with Ryan, I came to understand even more clearly how dedicated he is to giving a voice to the marginalized in all of his brilliant work. I’m privileged to work with him and the other talented people on the team, and I’m privileged to have this opportunity.

People have been co-opting and telling my part in this story for decades. In fact, it wasn’t until the past few years that I’ve been able to fully reclaim my narrative; almost 20 years later.

But I’m so grateful for the growth we’ve made as a society that allows people like me who have been historically silenced to finally reintroduce my voice to the conversation. This isn’t just a me problem. Powerful people, often men, take advantage of those subordinate to them in myriad ways all the time. Many people will see this as such a story and for that reason, this narrative is one that is, regretfully, evergreen.

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How can I learn more?

According to Variety, this third season will be based on Jeffrey Toobin’s book A Vast Conspiracy: The Real Story of the Sex Scandal That Nearly Brought Down a President, if you want to dive further into the story before the show’s premiere.

A Vast Conspiracy: The Real Story of the Sex Scandal That Nearly Brought Down a President

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Toobin’s book The Run of His Life: The People v. O.J. Simpson also inspired the show’s season about the O.J. Simpson trial.

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Exciting news: Yara Shahidi’s Barbie doll is finally available for purchase, complete with its iconic “Vote” t-shirt. The doll’s re-release was announced Tuesday in honor of National Register to Vote Day—not only to highlight the importance of registering to vote, but also to teach younger generations that no matter their age, they too, can make a difference.

Last spring, Barbie honored the Grown-ish star with the doll to celebrate the company’s 60th anniversary as well as International Women’s Month. The Yara Shahidi Barbie was one of the brand’s new line of inspiring “Shero” dolls, which also featured well-known badasses like model and activist Adwoa Aboah and tennis champion Naomi Osaka.

Mattel, Shahidi, and Shahidi’s mom worked together to design the doll, working together to find the right hair texture and skin tone and pick the perfect outfit. The actress’s choice? A gray suit paired with a colorful limited-edition Tory Burch “Vote” t-shirt and a black backpack adorned with an “I Voted” sticker. Consider this my outfit from now until Election Day.

Yara Shahidi Barbie Shero Doll

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$34.99

Last year, Shahidi discussed the process of how the doll came together with Marie Claire: “[My mom] and I were walking around with parts of dolls for quite some time because we were mixing and matching, which was fun because you could tell that it’s really important to Mattel to make sure that the doll authentically represented me in a way that I really liked, and a way that I felt is genuine to who I think Yara really is. Everything from my outfit to my curls to my eyebrows were all things that we discussed.”

When asked what advice she has for young girls who feel like their voices don’t matter, the Black-ish actress reflected on her own experience and how she learned to push through.

“I think the one thing that has been crucial for me to know is that there have been support networks in place, not only for us personally, but people who are dedicated to help in our success,” she said. “People who have been dedicated to knocking down barriers. The freedom that we do experience is from other women who have invested their time, their money, their energy, their being into making sure that we have that we have space.”

Isn’t she just the coolest? To learn more about the collectible dolls, head over to Barbie.com. After you’ve registered to vote, of course.

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Cord Jefferson, who took home an Emmy Sunday night for co-penning episode six of HBO’s Watchmen with Damon Lindelof, made a big splash online with his brief but effusive speech. While many winners made sure to express gratitude to their families and their teams, Jefferson was the only person to give a shoutout to their therapist. “Therapy should be free in America,” he added, correctly. The writer, who previously worked on The Good Place, Master of None, and Succession, ended his speech with a callback to his nostalgia-filled episode, saying “this country neglects and forgets its own history at its own peril often.” He spoke to ELLE.com about remembering and working through the past, his big night, and, of course, people’s tweets about him.

Congratulations on your win. The episode and the series are incredible. One of the things that I’ve been wondering is what happens after a socially distanced Emmys. Did you have a house party?

So, everybody got rapid COVID tests on Saturday afternoon; we all tested negative. And then we were all watching at Damon’s house. So [after the Emmys] we hung out in Damon’s backyard and ate pizza and drank some champagne. That was about it. It was lovely. All of us haven’t been together for over a year now, since we wrapped the room, so it was nice to all be together and celebrate.

That seems really cozy. Was this your first Emmys?

It is the first one.

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Congratulations again. I’m sure the next ones will be very different. So, I have to ask: During the broadcast you got a lot of response online from people when they saw your acceptance speech. A lot of people were very taken by what you said and by your shoutout to therapy, but also by your attire, your whole aesthetic.

[Laughs]

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Are you aware that there’s a proliferation of thirst tweets about you?

I was not aware that that’s happening until the publicist told me this morning, but, you know, very much appreciate it.

For instance, author Brandon Taylor, who is short-listed for this year’s Booker prize, tweeted—and I am going to quote here—“Cord Jefferson is hotter than the sun.”

[Laughs]

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So the thirst is literary.

Amazing! He wrote Real Life, right?

He did.

That book is on my list. So, I’m a fan of his as well. Well, I mean, I haven’t read the book yet, but I’ve heard amazing things. So, I’m very honored.

He’s expressing, again, in a Booker-nominated way, the way that it seems a lot of people were feeling online. Is that something that you ever anticipated as you were preparing to show up on camera?

No. No. When that episode premiered, I talked to my manager the day after and he said, “You should get your tuxedo ready for the Emmys.” And I said, “I’ll get a tuxedo, but if I’m not nominated, then you’d have to pay for it.” That was our deal. So, I ended up paying for it myself, but we won. I was like, I have this tuxedo, it’s going to be in my boss’s backyard but I should wear the tuxedo, just because I went to the trouble of getting it. So I wore it anyway. I wanted to look nice and presentable. I had no idea we were going to win, but I’m happy that I was wearing it. I’m happy I looked my best.

I’d be remiss in my job if I didn’t ask you who were you wearing.

It’s an Australian menswear brand called P. Johnson. I believe their only store in America is in New York, but they have outlets in Sydney and I think Europe, maybe London also, but they do trunk shows occasionally here in L.A. So I’ve had a couple of suits made by them before.

So I have a very serious question. As a writer, you’re largely behind the scenes, you’ve written for The Good Place and Succession, and of course Watchmen, among many other things. You’re usually in a writer’s room and not on camera. And so last night was very different. How does it feel to come out as hot on national TV?

[Laughs extremely hard] You know, it feels great. I’m a writer for a reason. It’s because I like to be alone in my room with the computer and just working by myself. I’ve never been prepared for the spotlight. It makes me incredibly nervous. So, something that people couldn’t see, thankfully because of the tuxedo, is how much my armpits were sweating as I was standing up there and reading and giving the speech. So, it is not my forte, we’ll say, but I do appreciate you saying that I’m hot. That’s very kind of you.

You’re welcome! So, I really want to talk about the substance of what you said. You know, one of the things that excited people was that you’re a very intelligent and talented person who was also talking about the positive effects of therapy. Do you feel like therapy has helped your artistic practice?

Oh God. Absolutely. I meant what I said: Therapy has changed my life. Very frequently Black people and other people of color in this country are taught that they need to be stoic and keep a stiff upper lip and not let anything affect you, or at least, you shouldn’t show emotion if something affects you. And I tried to live my life like that for many, many years. It really wore me down. I felt this hollowing out of myself. Being able to lean into my emotions and understand why I’m doing things that I’m doing and understand things from my history that perhaps shaped my behaviors nowadays has helped me artistically, it’s helped me personally and professionally. It’s been huge for me.

Your episode begins with Agent Laurie Blake saying, “You shouldn’t take your grandfather’s nostalgia,” which is a really loaded phrase. And I wonder if you find that a therapeutic process can help you to have a better relationship with the past and putting nostalgia in its right place.

Absolutely. You know, the thing that we wanted to portray in that episode is that nostalgia is very toxic when you’re not a straight white man in this country. Nostalgia for the past doesn’t really exist. Looking back in the 1930s, that was a much worse time to be alive for everybody that wasn’t a straight white man. If you’re a woman, if you’re a person of color, if you’re queer, the 1930s were terrible. And so this longing for the past is not something that exists for people who look like me. But whereas therapy is concerned, it’s helped me negotiate details from my past and helped me navigate the world better based on unearthing trauma and discussing that trauma and trying to move past it in the best way possible. We’re products of our past and we’re products of the people who raised us and the situations that raised us. So sifting through the details and understanding why we do the things that we do and trying to move past, it’s made all the difference for me.

I wonder what you are taking with you from this point in your personal history and in our time, but particularly in light of your great night last night and what you’ve got coming up. What are you taking with you into the future?

Oh man, just a ton of gratitude. My father was with me last night. He was my date to the ceremony and he is 78 years old. My grandfather was a butler and my grandmother was a maid at a rich white person’s estate in Ohio and they had middle school educations. They worked hard their entire lives to give my father a better life. And my father worked hard his entire life to give me a better life. And so being able to be at this award ceremony with him was a true honor. I was already incredibly grateful to work on Watchmen so the winning was the cherry on top. I just have incredible gratitude for everything.

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On Oscar night 1976, Milos Forman’s drama One Flew Over the Cuckoo’s Nest cemented its place in the zeitgeist. An adaptation of Ken Kesey’s powerful novel about patients on a 1960s psychiatric ward, the film swept all five top categories at the Academy Awards, a feat which no other movie had managed in more than forty years.

One of those top five categories was Best Actress, which went to Louise Fletcher for her performance as the coolly sadistic psychiatric nurse Mildred Ratched. Ratched’s power struggle with Jack Nicholson’s Randle McMurphy is the core of the movie, and Fletcher’s performance is indelible. But less than two years before that Oscars ceremony, when One Flew Over The Cuckoo’s Nest was being cast, the role of Ratched was a hot potato. Angela Lansbury, Ellen Burstyn, Anne Bancroft, Geraldine Page and Colleen Dewhurst were among the A-list actresses of the day who reportedly turned it down, considering the role too monstrous.

Now, 45 years later, Sarah Paulson is bringing new life to the character in Ryan Murphy’s Netflix origin story Ratched. Before you delve in, here’s a primer on the history of Nurse Ratched on the page and onscreen.

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She is based on a real person.

If you’re remotely familiar with the character, this is a pretty unsettling factoid. In writing his seminal 1962 novel One Flew Over The Cuckoo’s Nest—which the critic Pauline Kael once called a “nonconformists’ bible”—author Ken Kesey was inspired by his real experiences. After graduating from college, Kesey worked as a night orderly on the psychiatric ward of the Menlo Park Veterans’ Hospital in California. The character of Mildred Ratched, the cruel and tyrannical nurse who oversees the fictional ward, was inspired by the real head nurse on the ward where Kesey worked.

In the novel, Ratched is often identified by her Orwellian nickname, “Big Nurse,” and she’s described as physically imposing and almost supernaturally frightening. Her nails, according to the novel’s unstable narrator, are “funny orange, like the tip of a soldering iron. Color so hot or so cold if she touches you with it you can’t tell which.” She runs the ward with an iron fist, and favors lobotomies as a means of keeping disruptive patients under control.

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Ratched represents the way society treats those with mental illness.

Ratched is depicted, both in the book and film, as an authoritarian who takes great pleasure in the power she wields over her vulnerable patients. She restricts their access to medication, freedom, and basic necessities in a way that sometimes seems to be part of a legitimate treatment regimen but more often seems sadistic. Her behavior encapsulates the dehumanizing way psychiatric patients were treated, both in the 1960s and, in some cases, still to this day.

One Flew Over the Cuckoo’s Nest

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$9.19

Ratched meets her match in Randle McMurphy, a naturally rebellious and disruptive new patient who bristles at her arbitrary cruelty. Played by Jack Nicholson in the movie, McMurphy gradually begins to turn the patients on the ward around to his way of thinking, encouraging them to question Ratched’s authority and stand up for themselves against her. The power struggle that ensues is gripping—and, ultimately, stacked in Ratched’s favor because of the institutional weight behind her.

“Nurse Ratched’s soft, controlled voice and girlishly antiseptic manner always put you in the wrong; you can’t cut through the crap in her—it goes too deep,” Kael wrote in The New Yorker. “And she’s too smart for you; she’s got all the protocol in the world on her side.”

What’s even more chilling is that Ratched does not see herself as a villain. “I slowly started to realize that it will be much more powerful if it’s not this visible evil,” Forman has said, per Vanity Fair. “That she’s only an instrument of evil. She doesn’t know that she’s evil. She, as a matter of fact, believes that she’s helping people.”

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Ratched is ranked as one of the all-time great movie villains.

The American Film Institute ranks Nurse Ratched, as played by Fletcher, as the fifth greatest movie villain of all time, behind The Silence of the Lambs‘ Hannibal Lecter, Psycho‘s Norman Bates, Star Wars‘s Darth Vader and The Wizard of Oz’s Wicked Witch of the West.

One of the things that makes Ratched such a memorable villain is just how subtly Fletcher plays even her cruelest moments. A larger-than-life performance would make Ratched’s behavior easier to swallow, heightening her behavior to the point where it doesn’t feel grounded – but Fletcher downplays, forcing the audience to confront just how real the Ratcheds of the world actually are. “Louise had the strength to do it subtle,” Forman told The New York Times. ”She didn’t go for cheap exaggeration. It was the most difficult part in the picture. I was afraid that, surrounded by all those spectacular performances, she would get lost.”

Netflix’s Ratched aims to bring more dimension to this iconic villain.

Though Sarah Paulson’s younger version of Mildred Ratched is certainly an antiheroine—if not an outright villain—she’s a far more nuanced character than in either the page or screen versions of One Flew Over The Cuckoo’s Nest.

“I feel like Nurse Ratched is sort of a shorthand for barbarism. She became almost like a catchphrase for any sort of institutional abuse of power,” Murphy told Vanity Fair. “What was interesting was trying to create an emotional character from a reputation that’s very cold.”

Fletcher, though, filled in Ratched’s backstory in her own mind to help understand the character’s motivations. “She had sacrificed her life for other people. She hasn’t married, hadn’t done this, hadn’t done that, and was self-sufficient on her own leading this life, because she dedicated her life, her earlier life, to other people who needed her,” she told Vanity Fair. Even more intriguingly, she also said that in her mind, Ratched was a 40-year-old virgin who was “very turned on” by McMurphy.

Ratched takes place several years before One Flew Over The Cuckoo’s Nest, so the Ratched-McMurphy power struggle isn’t a factor in the show—or at least, not in its first season. But to deepen your enjoyment of the show, we highly recommend watching One Flew Over The Cuckoo’s Nest either before or after your Ratched binge–both are available on Netflix right now.

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Reports of New York City’s demise are greatly exaggerated. That’s the truth for millions of people who are still living in the city, which was ravaged by the COVID-19 pandemic this year when more than 23,000 New Yorkers died from the virus and thousands more moved out. Among the remaining inhabitants is Nicolas Heller, better known across the city and the internet as New York Nico.

Heller, a native New Yorker and filmmaker, serves as the “unofficial talent scout of New York City,” interviewing and profiling NYC’s most interesting characters. Pre-pandemic, you would find Nico out in the streets, meeting local fixations like Brooklyn’s Green Lady and rapper-turned-congressional candidate Paperboy Prince, or popping into mom-and-pop stores to chat up business owners. With 442K followers and counting, Heller’s Instagram page became the destination for New York’s best and brightest—a rolodex of who to know and where to go. Then, the pandemic hit.

“The first two weeks or so [of quarantine] I was really depressed,” he told ELLE.com over the phone, while unpacking boxes at his new Bed Stuy apartment. “I’m like, what the hell am I going to do? This is what makes me happy. This is what makes others happy.”

In true New Yorker form, Heller got back on his feet and hustled. “I had the idea to do this Best New York Accent contest and it went viral,” he says. “I had no idea that that would happen. I had to beg a few of my friends to submit and then celebrities started getting involved. Then the New York Times wrote about it, so it really reached the mainstream. It was like, what can I do next and how can I add a charitable element to it?”

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With subsequent contests like Best New York Mask, Best New York Photo, and Best New York T-Shirt, Heller has raised nearly $300,000 for charities like God’s Love We Deliver, Color of Change, and The Campaign Against Hunger. “I was just like, let’s keep going. This is my new calling for as long as I can’t interact with people on the streets. God forbid there’s a second wave [of the virus], I already have my ideas ready to go.”

Ahead, Nico talks helping small businesses, Black Lives Matter, and the relentless spirit of New York City.

How did you start helping small businesses in New York City?

About a year and a half ago, I started a hashtag called #MomNPopDrop, just to give free ad space to local businesses. It started out being a self-submit type of thing, where the business owner would [record themselves]. As I got more and more submissions, I realized it’s easier said than done to make these mini commercials. I needed to give them a little direction.

I started out with businesses that I had been going to for quite some time, like Astor Place Hairstylists and I Need More Vintage. It was different from the usual stuff I was posting. People follow me for the quirky New York characters and interviews, so it didn’t get as much love at the time and fizzled out. But when COVID hit and all these businesses shut down, I told myself that when they started to reopen, I would do everything in my power to help them. So, I decided to bring back the hashtag about a month and a half ago.

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Did the response surprise you?

I didn’t think that it was going to explode the way it did, but I think it’s just the time that we’re living in. New Yorkers are really concerned about these small businesses closing down, so people kicked into action. I brought the hashtag back with Henry from Army & Navy Bag on Houston Street. He’s super held up on rent and one of his customers started a GoFundMe. I went there and took his photo, learned a little bit more about the situation and then I posted it.

I didn’t realize that he was such a beloved New York business owner. There were so many comments like, “Oh my God, Henry’s the sweetest guy ever. Best customer service.” For the next week or so, there were lines out the door to get into his shop. Prior to the post, he told me he would be lucky if he got one customer every few hours. So when I saw the response to that, I was like, holy shit. These posts are making a huge impact.

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Is there criteria you keep in mind before posting a business?

Right now, I’m kind of focusing on Manhattan, specifically below 14th street, because rent there is astronomical compared to anywhere else in the city. A record store isn’t going to sell enough records to make enough money to cover their $17,000 rent in East Village.

I grew up in Union Square. I went to school in the Village and these are all spots that I remember from when I was a kid. So it holds a special place in my heart. I get hundreds of DMs a day from people suggesting places. I can’t help every business recommended, but I will glance and remember the name, and if I hear about it again, or if I’m walking down the street and I see that business, then I’ll pop in and introduce myself.

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Obviously, the pandemic has affected small businesses across the country. Is there a way to take your model and apply it on a larger scale?

I had this idea to get universities to give their students assignments to help struggling businesses using the skill sets that they’re being taught in school, like eCommerce, social media, marketing, photography, videography. Old school businesses don’t understand marketing in 2020. So I put a call out on Instagram and one guy commented like, “Hey, I’d be happy to help.” And he ran with it. Today, he went live with this website called The National Assignment, where he is able to match up universities with businesses to do exactly what I proposed.

Also, there’s legislation that can be passed. There’s an organization called Save Our Storefronts that is really pushing for rent forgiveness for businesses. But at this point, I just don’t trust any of our politicians to do the right thing. So I feel like we need to supplement that by putting in the legwork.

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There’s a common misconception that New Yorkers are rude. In your own words, what are we really?

I think that we’re hustlers. We’re always on our grind. We move fast. We don’t really have patience for people who try to get in the way of that. After college, I lived in Los Angeles for half a year and that was the only time I’ve lived somewhere else and really experienced another city. LA was just so much more chill and laid back. Everyone just wanted to get lunch meetings and not really achieve much. I feel like in New York, we live three lifetimes, as opposed to anywhere else because we’re doing so much.

You’ve been very outspoken about issues like Black Lives Matter and saving the USPS on your account. What’s your response to followers commenting, “I don’t come here to see politics”?

First of all, I don’t consider any of those things to be political. Black Lives Matter is just human rights. The postal service is just common sense. I actually don’t get political on my page at all. I don’t think I’ve ever… Don’t quote me—or quote me, I don’t care—but I don’t think I’ve ever even mentioned Trump’s name or Biden or any politician really. The only time I get political is when I criticize politicians for not doing their job and I rarely do that. So, when I was posting about Black Lives Matter, other human rights issues, I was getting a lot of pushback from it and like I said, its human rights. This is not political. If you don’t approve, you don’t have to follow me.

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